Cosey Fanni Tutti

In order to unmask a pathological killer who is targeting the beautiful centrefolds of Playbirds magazine, a sexy policewoman Lucy Sheridan puts her life and reputation on the line by sleeping with millionaire publisher Harry Dougan. The Chief Superintendant and Police Commissioner are keeping a close eye on her, but time is running out fast.

In this silly soft-core sex comedy, Tony Kenyon is Custer Firkeshaw, the owner of a girlie magazine. He stands to inherit a fortune… If he can get married and have a baby within a year. When he (and his relatives) find out from his doctor that he only has 13 more…uh, attempts-at-procreating left in him, the relatives set out to ensure that he uses them all up, so that they can inherit the property.

'The Silent Cry is a fictionalised narrative film, based on documentary facts and extracts of one English girl's memories and thoughts, all surrounded, and directed towards her particular dilemma. This dilemma can be summarized as her basic inability to have relationships, especially sustained relationships, and particularly with men. This is the total of her statement and the film. The construction and flow of the film follows the way she thinks - it is her point of view that is followed in the film. So all things are the way she remembers and dwells on them, and which are important to her.' - S.D.

Virginal nerd Jon Pigeon, manages to secure a job in a sex research institute where the patients run about the corridors naked, nude aerobics are encouraged and no man is safe from the crotch-grabbing tea lady. In his attempts to seduce pretty office secretary Cheryl, Pigeon invents a machine called Agnes that emits a 'sonic aphrodisiac' guaranteed to turn any man or woman into an slathering sex maniac. Although his attempts to zap Cheryl are singularly unsuccessful, Pigeon gets some interesting results when he accidentally turns the 'sex ray' on his bullying boss Nutbrown and the prudish Mary Watchtower.

Professional astrologer and lothario David Galaxy (Alan Lake, aka Mr Diana Dors), finds himself entangled with the Law and must be able to provide an alibi to clear himself from an incident that involved robbery and murder five years previously.

A true pioneer in audio exploration and psycho-acoustics, Delia Derbyshire conceived one of the most familiar compositions in science fiction, the Doctor Who theme, while working in a BBC basement. Her soundscapes felt like they connected to another realm. Kicking off with the discovery of 267 tapes in an attic, along with a treasure trove of journals hidden in her childhood bedroom, this film tunes in to Derbyshire’s frequency; that of a life-long non-conformist, whose peals of laughter in an archive interview tickle with delight and eccentricity. Featuring a rich archive, interviews, fictional embodiment and Cosey Fanni Tutti’s psycho-sonic channelling, director Caroline Catz traces acoustic pathways on her archeological dig into Derbyshire’s resonant life.

'The Shadow of the Sun' draws upon Derek Jarman’s interest with alchemical processes as a metaphor for reprocessing Super-8 film. Jarman once described film’s union of light and matter as “an alchemical conjunction” and experimented throughout his career with creating dream symbolism through the superimposition of image and action. Originally called English Apocalypse, the film’s final title is derived from a 17th Century alchemical text that used the phrase as a synonym for the philosopher’s stone – the highly sought substance that turns base metals into gold and silver. The film was intended as a step toward the idea of an ambient video, that like its musical counterpart, was designed to enhance an environment.

The true story of punks, queers, & criminals on a ride with two men who accidentally changed music along the way.

The live in-studio recording of Throbbing Gristle's Heathen Earth, in February of 1980, in front of an invited audience at the studios of Industrial Records Ltd.

An experimental film of the group Throbbing Gristle in concert.

An aged art connoisseur (Beaumont) and his young female neighbour (Coles), who has a job posing naked in a club, meet and exist in fantasy and reality. Although this raises certain much-discussed questions about the nature of representation, and about the construction of narrative and daydreams in films, 'Phoelix' tends to treat these as just pretty and pertinent issues, opting instead for a mannered concentration on detail.

Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits - mostly working class, mostly self-educated - adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.

Greenaway's short documentary shows 26 bathrooms, each representing a letter of the alphabet.

The recording of the Heathen Earth album. This video cassette was made at the recording of the album Heathen Earth, between 8.10 and 9.00 pm on Saturday 16 February 1980 in front of an invited audience at the studios of Industrial Records Ltd. In addition to the single camera recording of the performance, certain visual information from our files has been included. The soundtrack of the tape was taken independent of the 8-track audio master recording and it remains "live" and unremixed - it consequently differs from the album in some places. Like the TG sound itself, the quality and content of this recording cannot and should not be compared with conventional commercial recordings.

Throbbing Gristle: Live at Sheffield University 10th of June 1980

Tracklist: Sleeping Stephen Arcade Vengeance Beatnik Club Workout Confession Obsession Dancing On Your Grave Beatbeatbeat

Explores the work of British artist Cosey Fanni Tutti as an uncompromising cultural pioneer once described as a 'wrecker of civilization' in UK Parliament in 1976 following her controversial Prostitution art exhibition at the Institute of Contemporary Arts in London.

Throbbing Gristle: Live at the Lyceum, London, 8th of February 1980

Hull is the UK's City of Culture for 2017. In this BBC Arts documentary, the wonderful Hull-born comedian Lucy Beaumont, writer and star of the Radio 4 sitcom To Hull and Back, looks at the cultural treats that will be taking place in her home town - and whether being City of Culture will transform Hull forever. Lucy talks to key figures in this historic year for her home city, including the writer Richard Bean and actress Maureen Lipman, as well as discovering the rich cultural life that already exists in Hull. She will also explore the more avant-garde side of Hull with the performance artist Cosey Fanni Tutti, who invented industrial music with the band Throbbing Gristle.

Born in 1904, Brandt was a shy and enigmatic man who dominated British photography for decades. His early studies of class-divided Britain were followed by the postwar series of "distorted nudes", shot on beaches and inside rooms. The film is a fitting final portrait of Brandt (it was completed in the year he died), and recomposes his work in cinematic terms. The camera moves through an apartment where the pictures were taken, to reveal photographs scattered 'in situ'. These are panned to show the surrounding space, the angle of vision and a model who reconstructs Brandt's original image. Dwoskin emphasises visual atmosphere through the language of the eye.