Jonathan Bar-Giora

The year is 1964. Rachel Brener is one of 3 young Mossad agents teem who caught "THE SURGEON OF BIRKENAU" - a Nazi monster who was never brought to trial in Israel. The official reason was that he was shot to death while trying to escape from Israeli captivity in a safe house somewhere in Europe. 30 years after, the well communicated death story of the monster could be questionable, a small article appears in a local unimportant paper in a small town in Ukraine. Surprisingly the Surgeon is ALIVE and is willing to admit his crimes against the human race and especially the Jews. The 3 older x Mossad agents who are in their late 60th became aware to this unfortunate threatening knowledge. The fact was that the "Surgeon" managed to escape from his guards 30 years ago.

The story of one woman's personal battle for acceptance, but also a portrait of a political movement that has forever affected millions of lives in the Middle East.

A cineastic journey into the world of Naum Kleiman, one of the most important intellectuals in Russia today. Naum Kleiman, an internationally acclaimed Eisenstein specialist, is the director of the „Musey Kino“, Moscow’s museum of cinema. Since 1989, the „Musey Kino“, has shown previously banned classics of world cinema and Soviet films. Many saw the „Musey Kino“, as Moscow ́s most important intellectual forum. In 2005, the Moscow municipality sold the „Musey Kino’s“ building and it became homeless. In October 2014, the Russian Minister of Culture fired Naum Kleiman as director. In protest, his entire team handed in their resignations. Scenes from iconic movies and interviews with Muscovites of different ages and social backgrounds form a documentary film collage which mirrors Russian reality today.

Aviva, a hard-working hotel cook in the small northern Israeli town of Tiberias, is on the brink of finally fulfilling her lifelong dream. For years she kept her remarkable writing abilities under wraps, until her sister, Anita, introduces her to Oded, an accomplished novelist. Immediately recognizing Aviva's talent, Oded takes her under his wing, promising to help her achieve greatness. But the journey to greatness effects her life and the lives of her family - her unemployed husband, her trouble children, her unstable mother, and primarily her sister, a funny and sensitive woman who have her own dreams. When Aviva discovered that Oded has other plans for her work, her world collapses.

The life of Avihao (Morris Cohen), a television personality with an excessively big mouth, is getting more and more complicated: his mother Sarah (Levna Finkelstein) stopped talking, fell into complete silence and his father does not understand why. Aviv (Oshari Cohen), his beloved former student, unexpectedly becomes the leading candidate in the prime ministerial elections even though no one knows what he has to say. He doesn't give interviews, doesn't talk, doesn't give speeches - he just stays silent all the way to victory, a silence that challenges Avihao to the point of risking his career and his family.

Shoshana Damari was the first Israeli diva. She graced local and international stages, stirring millions with her beguiling voice and spectacular performance. Yet behind the larger-than-life persona and her memorable songs was a woman about whom we know little. She didn’t like to be interviewed and never volunteered details about herself and her family. Hers was the life of a Hollywood legend and she paid the price for it. This is a story about fame and loneliness, acclaim and loss, daring and compromise. For the first time, the woman behind the crown, the cloak and the palace will come to light.

As he turns 50, filmmaker Pini Schatz sets out to explore his life-long obsession with the band Sparks (the brothers Ron and Russell Mael). Pini charts the impact of Sparks on his life while meeting with fellow Sparks fans, among them famous musicians, in Tel Aviv, London, Berlin, Rotterdam and NYC. Structured as a personal quest of the filmmaker to prove that Sparks are the coolest underrated band in the history of popular music, this docu-comedy explores the universal themes of growing old and being an outsider, the importance of art in daily life and the power of non-conformism.

Coming of age story about a friendship between 12 years old Gal and 19 years old Haya in Israeli moshav where both are living.

Bina (46), religious woman from Jerusalem, arrives panic-stricken at the hospital after her son Oliel (25) was severely injured in a stabbing attack. This is the first time she sees him since he became secular and lost contact with the family. Her husband, Meir (50) comes later only after their daughter Ester’s (28) insistence. At the hospital, Bina meets Amal (24). While Meir searches for answers to revive Oliel, the two despondent women bond with one another. However, Amal hides a secret from Bina and Meir. While waiting for Oliel’s revival, they will learn about truth, faith, understanding, acceptance, and love that can and maybe should replace fear of the unknown.

Is today's fanaticism tomorrow's policy? In a West Bank settlement, Rabbi Meltzer has a grand design: he's building a movement "to pray at the Temple Mount." His yeshiva has scholars, and the settlement is getting its own military company to be commanded by Menachem, a disciple of the rabbi. He also wants his daughter, Michal, to marry Pini, the yeshiva's best scholar. Michal has no interest in Pini, but she is attracted to Menachem. When she rebuffs Pini, he hatches a bold and secret plan. Is jealousy the motivation or something else? Meanwhile, the army and Moussad are closely watching the rabbi's activities and Menachem's military training. Who is trustworthy?

On completing his training in a secret elite army unit, Eitan is taken out by mates from the unit to celebrate. During a night of drinking in Tel Aviv he learns things about the unit and about himself that shake his world. An encounter with Shahar, who lives the way Eitan never dared, gives him a chance for a new beginning. But when he tries to go with the change, he discovers the ultimate price of his previous choices.

Dizengoff Center, the first shopping center in Israel, has become a phenomenon, an icon, a city within a city. “The Center” is more than a shrine for consumption or a shopping place, for many people it’s a place they call “a home”. The Center will discover the story and the history of Dizengoff Center, layer by layer, from the ground it was built on, to the top floor and the secrets this place withholds. The film will travel from the past to the present in order to try and find out what makes this place so special.

Although he spent most of his life fighting ethnic discrimination, Yosef Shiloach is best remembered by the public for his comedic roles in Bourekas films. Yet behind the clownish image that clung to him was a deep, complex, and courageous artist who sought to change Israeli reality. He met with Yasser Arafat in his office and fought for peace—actions that ultimately forced him to leave the country. Shiloach was also a prolific writer—of songs, poems, screenplays, and more. Through his writings and rare, personal footage filmed by his daughter, we gain insight into the inner world of a man who began supporting his family at age nine and became one of Israel’s greatest actors.

After fighting as an Israeli soldier in the 1973 war, and troubled by the nation's obsessive mixing of the Bible with politics, the filmmaker left for America, which he considered a "safe haven" because of its separation between church and state. Thirty-five years later, alarmed by the prominent role of religion in the 2008 American presidential campaign, he decides to make a road trip, to try and understand the phenomenon. Rather than follow the candidates, however, Ziv decides to meet with religious activists supporting the Democratic and Republican candidates. From the Iowa Caucus and the New Hampshire and South Carolina primaries to Super Tuesday in Oklahoma, JESUS POLITICS shows the efforts of Baptist activists for Obama, Catholics and evangelicals for McCain, Christian conservatives for Huckabee, as well as the political efforts of evangelical organizations such as Christians United for Israel.

The story of Israel's "development towns" in a chilling documentary, as never told before: Testimonials and previously sealed transcripts reveal a method, an ideology and a cruel practice of law enforcement and decision makers behind the "population dispersal" policies in the first two decades of independence. The director's family, like others, was taken to Yeruham, a development town in the Negev desert. Their personal stories recount of the price immigrant-families pay and the price still paid by Israeli society, unwilling to deal head-on with those early years and forgotten towns.

About 5000 women are murdered every year throughout the world in what are called ‘honor killings’. In many cases, it is relatives, even the parents, of the victim who perpetrate these horrific acts of violence in reaction to what they consider a slight on their honor. This cutting documentary meets the victims of this brutal tradition, and explores the widespread attitudes used to justify these killings.

A Jewish detective story in the Alps revolving around the former President of the Jewish Community in Tyrol, Ernst Beschinsky. A man with this name dies twice – once in 1969, in Israel, and a second time in 1987, in Innsbruck. This goes unnoticed, at first. In 2010, when a relative in London leaves a house as inheritance, the question arises both in Israel and in Innsbruck: Who was Ernst Beschinsky really? A true story, told by numerous forged documents and many authentic reports.

Say Amen is a personal documentary film by David Deri, an Orthodox Jew, who reveals his homosexuality to his parents and siblings. David is the youngest of ten siblings in a close-knit Moroccan-Israeli family. While other nine have all extended the family tree by marrying and having children, David, at twenty-nine, still hasn't brought home a girlfriend, which inspires his family's constant nagging. The confessional film follows David as he takes small steps, gathering courage, and hoping to receive acceptance from his family.

Raziya, a 70 year old woman who lives on a moshav, and whose dream is basically having another grandson or two, embarks on a mission to save her son’s marriage, after he left home following a bitter argument with his wife. She drags her husband Yitzhakal’he along on a crazy adventure of two innocent moshav dwellers in the big city. She isn’t particularly healthy, nor is she young, but her maternal worries give her strengths of which she herself was unaware.

Looking for Moshe Guez is a personal documentary by Avida Livny: “When I was a 10-year old boy a friend invited me to watch a must-see video that his older brother has rented: a horror film that included nude scenes and violent images of rape and of children being murdered – all in Hebrew. After many years I have found out that this film, which transformed my childhood, is considered by some to be the worst Israeli film ever made, that his director has disappeared, and so have the film reels – and that most likely I am the only person who still remembers it. I have decided that I have no choice but to look for Moshe Guez, the director, and find out his long lost film, The Angel was a Devil…”