Bunzô Wakatsuki

Hayata is a member of the Science Patrol, an organization tasked with investigating bizarre anomalies. He is mortally wounded when accidently encountering an alien being from Land of Light, who grants Hayata new life as the two are merged into one. Now, whenever a threat arises that is too great for the Science Patrol to handle, Hayata activates the beta capsule and becomes the hero known as Ultraman.

In the not-too-distant future, the Earth finds itself constantly under attack from extraterrestrial threats. The Terrestrial Defense Force establishes the Ultra Garrison, a team of six elite members who utilize high-tech vehicles and weaponry. Joining their fight is the mysterious Dan Moroboshi, secretly an alien from the Land of Light in Nebula M-78, who transforms into his true form in times of crisis, Ultraseven.

Takeshi Yamato, a twenty-two-year-old young man lives a double life. During the daytime, he is a rookie but popular science teacher at a junior high school in Tokyo. But after school and on Sundays he works as a member of the elite UGM (Utility Government Members).

The Science Research Institute (SRI) investigates assorted strange phenomenon in Japan.

Ken, a member of the marauding group from the planet Varna known as the Wolf Attackers, and particularly feared for his combat prowess as 'Star Wolf', becomes a hunted traitor after shooting his comrades to save a mother and child.

After a valiant Thai boy is brutally murdered by a gang of archeological looters, his soul is joined with the Hindu god Hanuman, who teams up with Ultraman and his brethren against familiar Ultra-foes unleashed by a weather control experiment gone awry, in this influential Thai-Japanese co-production.

Horror Theater Unbalance is a 1973 Japanese Anthology television series created by Tsuburaya and Fuji TV to air on the Fuji TV network on Monday Nights for 13 episodes. Originally started in production in 1969, it was shelved and took years for its airing debut to begin its broadcast, before production was eventually completed at the end of 1972. It was then aired on Fuji TV in 1973.

A female scientist and two children are accidentally transported into a future dominated by primates.

The film consists of re-edited material from the original television series Ultraman. Episodes 1, 8, 26, and 27 were used for the film. They were narrated by Hikari Urano as an "Ultraman Documentary". Allegedly only one new scene was shot, and that some parts of the movie where shot in black and white for unknown reasons. The movie screened at the same time as the Toho movie King Kong Escapes.

A 1979 Japanese tokusatsu kaiju film produced by Tsuburaya Productions, consisting of re-edited material from the original television series Ultraman. Ultraman: The Great Decisive Battle was the 1st movie of the third Showa phase (Jissouji's Ultraman being first and Ultra Brothers vs. The Monster Army being second) and because of this Tsuburaya decided to make this a reunion of the last 12 Ultras (aside from Ultraman 80 which hadn't come out yet). Tsuburaya decided to give this a different tone than Jissouji's Ultraman, having more new scenes and appealing to the all-Ultra fan.

When the aliens steal the Suriyatras diamond and combine it with the power of the sun to make a beam that can destroy the Earth. A robot and an ancient god must join forces to fight the alien invaders to get the diamond back. This film was the first collaboration between Tsuburaya Productions of Japan and Chaiyo Productions of Thailand. Based on the final episode of the Jumborg Ace TV series

No description available.

In this second film compiled from episodes of a Japanese TV serial, Captain Joe, reformed interstellar marauder Ken and the rest of the crew of the Bacchus-III set off to destroy an alien race's super-weapon.

A child finds a magic statue in a cave. This is a Thai idol that protects the world from an invasion by extraterrestrial giants. Edited from the Tsuburaya-Chaiyo co-production Jumborg Ace & Giant (1974), combining the special effects footage with newly shot drama scenes featuring a Taiwanese cast to create a loose adaptation of the original story that jettisons the connections to Tah Tien (1973) and Jumborg Ace (1973).

A middle-aged office worker, Masao Okada (Eiji Okada), discovers that his worsening illness is terminal cancer. Shaken and resigned, he meets a mysterious man, Suzuki (Haruo Tanaka), who knows every detail of his life. Also a dying patient, Suzuki proposes a “game”: two men with little time left will live in suspense, wondering when and how the other might kill, using paranoia as a way to escape the greater fear of death. Directed by Yasuharu Hasebe and based on a story by Kyotaro Nishimura, this short TV film from "Horror Theater Unbalance" blends psychological dread with social reflection. Alongside Okada’s fragile romance with nurse Akiko (Masumi Harukawa), the story introduces a nihilistic subplot where a reckless young couple (Renji Ishibashi among them) engage in a fatal dare that ends in self-destruction — echoing the era’s sense of emptiness and contrasting Okada’s struggle to find meaning in the face of death.

No description available.

No description available.

The Special Edition edit of the Thai and Japanese Coproduction Jumborg Ace and Giant from 2001. This edit removes the comedy scenes from the 1974 film and substitutes the comedy with footage from the Jumborg Ace TV show. This version of the film is redubbed.

After being killed by a gang of bandits who desecrate a Buddha statue, a young boy named Ah Kuo is revived by Ultramen and becomes a new Ultraman. Together, the Ultramen battle an army of monsters who are awakened by a failed rocket test.

A reissue of the film "Hanuman and the Seven Ultramen" but with a condensed version of the 1984 film "Ultraman Zoffy" as the first half of the film. The Seven Ultramen portion in the second half is a shortened version of the original film which removes several characters. The film would be further re-edited in the U.S. as "Space Warriors 2000".