
Morris Engel
Directing
Known For

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.
Birth of a Nation

Jack is the fastidious manager of a local supermarket. The harmless but disruptive actions of his customers frequently give him headaches, which he remedies by holding a can of frozen juice against his forehead. At home, however, Jack is consistently kind, loving, and patient with his wife and daughter. One day the child brings home a stray dog, and his life is turned upside down.
The Dog Lover

After a prank makes Joey Norton believe he killed his older brother, he runs away from home and spends the day at Coney Island while his brother tries to find him before their mother gets home.
Little Fugitive

Ann, an attractive widowed New York model, lives in an apartment with her daughter Peggy. The courtship of Ann by visiting engineer Larry, and accompanying misadventures, are seen alternately from their and Peggy's viewpoint. Filmed realistically at many New York locations
Lovers and Lollipops

A photographer struggles to make enough money to marry his fiancee, who is starting to believe he's delaying their marriage deliberately.
Weddings and Babies

Short documentary on the life and work of photographer and filmmaker Morris Engel
Morris Engel: The Independent

Follows a group of hippies in Greenwich Village during the 1960's, centering on the story of a girl exploring various relationships with men, and her search for the values of the time.
I Need a Ride to California

A biographical look at the Powers family - reminiscent of the Joad family in John Steinbeck's The Grapes of Wrath.
The Farm They Won

Made in the style of the great "city symphony" films, One Chase Manhattan Plaza celebrates the architectural achievement of this impressive New York City skyscraper as well as all the people who made it tick. From the mailroom, where thousands of letters are received and sorted daily, to the company executives in their sleek, modern offices, Engel imbues what is essentially an industrial film with great humanity and heart.
One Chase Manhattan Plaza

Capitalism and Christmas