
Dana Syslová
Acting
Known For

No description available.
Bakaláři

Set in Czechoslovakia, the drama follows the lives of its characters against the backdrop of real historical events that shape their personal stories. To evoke period atmosphere, the series intersperses authentic clips from vintage Czechoslovak film newsreels, using their original commentaries or newly recorded historical voice-overs by Vladimír Fišer. A narrator, initially voiced by Vojtěch Kotek and later by Matěj Hádek, provides continuity and reflection, guiding viewers through changing times. Under the guidance of screenwriter Rudolf Merkner, each episode’s script weaves family and individual dramas into key moments of Czech and Slovak history: political shifts, cultural trends, and social transformations from the 1960s onward.
Vyprávěj

No description available.
Sestřičky

No description available.
Kamarádi

No description available.
Případy 1. oddělení

No description available.
Život a doba soudce A. K.

No description available.
Dobrodružství kriminalistiky

Young boy Cestmir finds a magic rock which allows him to bring the seeds of the flowers which allow flying from Blue Planet...
The Flying Cestmir

No description available.
Špunti na cestě
No description available.
Bronzová spirála

Tom (4 years old), Suzanne (8) and Derek (10) spend the weekend with their grandparents. But nothing is as usual: Grandpa seems to be elsewhere; Tom wonders where Grandma has gone, she who always tells him incredible stories; Derek is hard at work renovating the old apple tree hut. So following in the footsteps of her ancestor, Suzanne improvises herself as a storyteller to illuminate the house with imaginary and wonderful stories and try to fill the absence of Grandmother. The movie is an adaptation of three tales written by Arnost Goldflam.
Tales from the Magic Garden

No description available.
Dokonalý svět

No description available.
Eliška a Damián
No description available.
Poručík Petr

No description available.
Lynč

Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.
The Last Butterfly
No description available.
Had z ráje

No description available.
Máma

No description available.
Poste restante

No description available.