Heather Lockie

Roger Greenberg, a failed musician now making a living as a carpenter in New York, returns to Los Angeles to house-sit for his brother. He's stranded there—since he doesn't drive—until his brother's assistant, Florence, comes to his rescue. She's as much a lost soul as he is, and the pair form a significant connection—giving Roger a much-needed reason to be happy.

You never know what you'll get when you attend an Eels concert. One year it's vocoders and synthesizers, the next it's gritty garage rock. Cut to 2005: Eels leader Mark Oliver Everett, aka E, releases the highly acclaimed Blinking Lights and Other Revelations double album and assembles his most ambitious version of the EELS yet: a seven piece band consisting of Everett backed by a string quartet and two multi-instrumentalists juggling lap steel, guitar, upright bass, mandolin, saw, melodica, celeste, pump organ, piano, and a trash can and suitcase drum set. Having brought this elaborate show to Boston the night before, can the Eels get to New York, play Late Night with David Letterman, and perform their concert at the legendary Town Hall, which is being filmed for a concert film -- all with grace under incredible pressure? The answer is yes, and the proof is here!

An evening of performance and music by Mike Kelley presented at the Judson Memorial Church in New York City in 2009. Including: The Judson Church Horse Dance and The Horse Dance of the False Virgin, and live performances of instrumental soundtrack from Kelley’s Day is Done, composed in collaboration with Scott Benzel. Plus: the world premiere of The Offer (Extracurricular Activity Projective Reconstruction #33), a composition for 12 horns and vocalist.