Emily Hubley

Documentary about the creation of the stage musical "Hedwig and the Angry Inch" and its subsequent film adaptation.

Mona is nearly overwhelmed by grief and depression. After her father's death, she's cut herself off: leaving teaching - she now temps as an office assistant, ignoring her mother's calls, talking to herself in mirrors, and rejecting any offered intimacy. She's watched over by comic extraterrestrial beings whom we see as cartoon squiggles. They ensure that random acts bring her connections - with a neighbor boy, his mother, and his surreptitious piano teacher (the lad wants to surprise his mom). She also meets an elevator operator in the building where she temps for Ms. Hadaway, a widow with perfect diction. Can Mona take a few steps on the road to expressing emotion?

This docuseries tells the story of female animation pioneers in both past and present days, looking into the challenges they have faced and the progress they have made while exploring the obstacles that still exist. Highlighting the determination and passion that moved women out of the ink & paint department and into the role of animator and beyond, the docuseries seeks to inspire the next generation of animation storytellers, while questioning the inequality between men and women within the creative workforce of animation.

"Everybody Rides the Carousel" invites the viewer along on eight "rides" through the different stages of life. Based on the work by Erik Erikson, one of the most influential psychoanalytic theorists of this century, the film explores the inner feelings and conflicted emotions experienced during each stage of personality development. With distinctive and poetic animation, John and Faith Hubley visualize the conflicts, joys, problems and delights we all experience on the carousel of life.

Motian In Motion is a documentary film about iconic jazz drummer Paul Motian, with rare footage of Paul playing and recording at the world renowned Village Vanguard, Birdland and other venues.

Earth is visited by a race of aliens, who issue an ultimatum: either peace or complete destruction.

A stop-motion film, written, animated, & directed by Dan Blank.

With humor, chutzpah and a piece of vinyl siding firmly in hand, Peabody Award-winning filmmaker Judith Helfand and co-director and award-winning cinematographer Daniel B. Gold set out in search of the truth about polyvinyl chloride (PVC), America's most popular plastic. From Long Island to Louisiana to Italy, they unearth the facts about PVC and its effects on human health and the environment.

A young woman has an encounter with her guardian angel (or was it?).

A film about the many faces of time as it flows from the future to the past, through cyclic, biological, curved and paradoxical time.

Two little girls muse on marriage and babies, love and death as they create and act out plays in their backyard. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2006.

The agony and beauty of the creative process are explored in this reflective work, first inspired by a piano solo by Yo La Tengo’s Ira Kaplan, which reminds us that the act of creation can feel like “cracking the code in another dimension.”

On the one hand, a healthy child who has enough to eat. On the other hand, a poor, undernourished kid. On the one hand, a quarter of the blue planet's children. On the other hand, the remaining three quarters.

The history of the Americas is considered from an Indigenous perspective, featuring the poetry of the Aztec emperor Nezahualcotl, Jose Chocan, and Gabriela Mistral.

A young woman's diary depicts her layered, poetic, inner efforts to deal with the world and overcome self-doubt.

Hubley created this short while at work on her first feature, The Toe Tactic, as a musical exploration of poetry featured in the film. Each frame was drawn on a single sheet of paper using watercolor pencil and ink, and the animation is accompanied by Yo La Tengo’s meditative score.

A grandmother discusses past and present attitudes toward menstruation.

The 25th and final film completed by Hubley, is a lyrical visual poem to environmentalism and to the Inuits' attachment to the land, and their ability to adapt to the natural world.

A fearless sea captain, Dr. Rebecca Gomperts, sails a ship through loopholes in international law, providing abortions on the high seas, and leaving in her wake a network of emboldened activists who trust women to handle abortion on their own terms.

A person finds a magical fish, wishes for "it all" and learns a lesson about when enough is enough.