Redmond Phillips

A quirky spy show of the adventures of eccentrically suave British Agent John Steed and his predominantly female partners. Jonathan Steed - an urbane, proper gentleman spy - teams with various assistants throughout the series' run, including Dr. David Keel, Cathy Gale, Emma Peel and Tara King, to repeatedly save the world from diabolical schemes plotted by equally diabolical evil-doers (among them robots and man-eating monsters).

Simon Templar is The Saint, a handsome, sophisticated, debonair, modern-day Robin Hood who recovers ill-gotten wealth and redistributes it to those in need.

A BBC television anthology series featuring productions of classic and contemporary stage plays usually broadcast on BBC1. Each production featured a different work, often using prominent British stage actors in the leading roles. The series was transmitted from October 1965 to September 1983.

Skippy the Bush Kangaroo is an Australian television series telling the adventures of a young boy and his intelligent pet kangaroo, and the various visitors to the fictional Waratah National Park in Duffys Forest, near Sydney, New South Wales.

The Human Jungle is a British TV series about a psychiatrist, made for ABC Television by the small production company Independent Artists for transmission on ITV. Starring Herbert Lom, it ran for two series which were first transmitted during 1963 and 1965.

Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.

Spyforce was an Australian TV series produced from 1971 to 1973, based upon the adventures of Australian Military Intelligence operatives in the South West Pacific during World War II. It was produced by the Nine Network in conjunction with Paramount Pictures. The series centres on the action and adventures of lead actor Jack Thompson's character Erskine, and his main support character, Peter Sumner's Gunthar Haber. It was the first lead role for Jack Thompson. The two are part of an elite unit of special operatives, the Special Intelligence Unit, and their adventures are loosely based upon those of the real Services Reconnaissance Department who often operated behind Japanese-held lines during the war. Unlike most previous war films, Spyforce deliberately steered away from the notion that the United States was solely responsible for Japan's defeat, and highlights the important role Australian forces played in the defeat of the Imperial Japanese Army. Producer Roger Mirams was also careful to avoid stereotypes of the genre, and tired formulas for the battle scenes. The idea appealed to American producers Paramount Pictures, who backed creator Roger Mirams to begin production without having seen a script. He made the pilot episode, "Spy Catcher", which impressed Paramount, and the Nine Network immediately bought the local rights. The first episode aired in Sydney on 8 August 1971, and the rest of Australia on 26 August 1971. It was originally intended to produce 26 episodes, but following the success of the first series, Mirams held talks with both Nine Network and Paramount Pictures, who backed him for a second series. In all 42 episodes were produced. The series was last aired on Australian television in Adelaide on 21 September 1976, but has been re-run several times since.

The sinking of the Titanic is presented in a highly realistic fashion in this tense British drama. The disaster is portrayed largely from the perspective of the ocean liner's second officer, Charles Lightoller. Despite numerous warnings about ice, the ship sails on, with Capt. Edward John Smith keeping it going at a steady clip. When the doomed vessel finally hits an iceberg, the crew and passengers discover that they lack enough lifeboats, and tragedy follows.

Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.

Thursday Theatre is a UK television anthology series produced by and airing on the British Broadcasting Corporation (BBC) from 1964–1965. There were twenty-three episodes which included adaptations of the play, The Cocktail Party, by T. S. Eliot, and the novel, The Wings of the Dove, by Henry James. The productions ranged in duration from 75 to 95 minutes. Out of the twenty-three episodes, thirteen are believed to be lost, and one episode is incomplete.

Orphan Pip discovers through lawyer Mr. Jaggers that a mysterious benefactor wishes to ensure that he becomes a gentleman. Reunited with his childhood patron, Miss Havisham, and his first love, the beautiful but emotionally cold Estella, he discovers that the elderly spinster has gone mad from having been left at the altar as a young woman, and has made her charge into a warped, unfeeling heartbreaker.

Tom loves Sophie and Sophie loves Tom. But Tom and Sophie are of differering classes. Can they find a way through the mayhem to be true to love?

Recently diagnosed with a terminal illness, a man returns home to Australia to die in the wilderness. His plans become complicated when he comes across a young boy whose parents have been killed and decides to take him under his wing.

In the Australian outback a vicious wild boar kills and causes havoc to a small community.

In the early 20th century a village experienced a series of inexplicable murders. All the victims were young men who had been turned to stone. The perpetrator of these deaths was a being so repulsive that she transformed the onlooker using the power of her deadly stare. Much of the time the creature took the form of a beautiful and seductive woman, but during periods of the full moon she becomes a living horror, vicious and deadly. A professor has come to investigate the deaths, bringing with him his beautiful assistant whose knowledge of the Gorgon is more intimate than anyone would ever realise.

When a robbery at a racetrack goes wrong ex-con Johnny Bannion is caught and sent back to prison. He won't tell the rest of the gang where he has stashed the loot leading to violent consequences.

At the Earndale by-election natural history expert and TV personality Bob Wilcot for the Conservatives finds himself up against Billingsgate girl Stella Stoker for the socialists. Amateur politician against committed activist. But could it become boy-who-fancies-girl against girl-who-fancies-boy? The party agents are soon colluding against such a disaster.

When the union in his factory walks out on strike, a family man refuses to participate, risking the wrath — and retaliation — of his fellow workers.

Dutch painter Jan-Van Rooyer hurries to keep a rendezvous with Jacqueline Cousteau, an elegant, sophisticated Frenchwoman, slightly his elder, whose relationship with him had turned from art student into one of love trysts. He arrives and is confronted by Detective Police Inspector Morgan who accuses him of having murdered Jacqueline. Morgan listens sceptically to the dazed denials of Van Rooyer as he tells the story of his relationship with the murdered woman. Morgan, after hearing the story, realizes that the mystery has deepened, and it becomes more complicated when the Assistant Commissioner, Sir Brian Lewis, explains that Jacqueline was not married but was being kept by Sir Howard Fenton, a high-ranking diplomat whose names must be kept out of the case.

Etienne makes a good living out of marrying off poor but titled young men to rich but untitled young ladies. Millicent is now in his sights on the Riviera, and Grand Duke Gaspar is the bait. But what if Millicent starts to fancy planted chauffeur John instead, and Gaspar takes a shine to Etienne's secretary Janine?