Holly Woodlawn

An LA family with serious boundary issues have their past and future unravel when a dramatic admission causes everyone's secrets to spill out.

Originally intended as a chronicle of the daily life of the Louds, a Santa Barbara upper-middle-class family, the groundbreaking program documented the breakup of the family via the separation and subsequent divorce of parents Bill and Pat Loud.

Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.

Seed Money is the story of Chuck Holmes, a San Francisco pornographer turned philanthropist. Holmes helped shaped and create gay identity in the years after Stonewall, and later became a major contributor to gay advocacy groups like the Human Rights Campaign and the LGBT Victory Fund, only to find later in life that while his money was welcome in philanthropic circles, he sometimes wasn't.

James Rasin's documentary “Beautiful Darling” honors American Transgender actress and best-known Warhol Superstar, Candy Darling, and her all-too-brief life and career, with a combination of current and vintage interview material, rarely seen archival photos and footage, and extracts from Darling's movies.

Iconic American artist and filmmaker Andy Warhol is the subject of this documentary, which looks at both his life and his influence on pop culture. The film provides details about Warhol's upbringing in Pittsburgh and follows his move to New York City, where he found massive success turning pop imagery into art and eventually founded "The Factory," his famed studio and party venue. Among the many notables interviewed are Dennis Hopper, David Hockney, and Roy Lichtenstein.

The movie follows Joe, a heroin addict, throughout his quest to score more drugs. The episodic plot occurs over a single day and centers on Joe's problematic relationship with his on-off, sexually frustrated girlfriend. During the course of the day, Joe overdoses in front of an upper-class couple, attempts to fool Welfare into approving his methadone treatment by having Holly fake a pregnancy, and frustrates the women in his life with his drug-induced impotence.

Having lived his entire life under the watchful eye of his overbearing mother, Albert must fend for himself when an unidentified automobile suddenly kills her. Free for the first time, Albert quickly responds to the bait dangling in front of him, putting his aggressors against one another in a race for his trust. Using his skills that make him a gifted fisherman, Albert turns the tables on his seemingly doomed fate, capturing the heart of the woman most eager to deceive him, and fooling the man most intent on destroying him.

A vampire in the East Village picks up women, and while having sex with them kills them and drinks their blood. Meanwhile, a young Puerto Rican guy begins searching the Village for his sister, who is one of the vampire's victims.

In this entrancing documentary on performance artist, photographer and underground filmmaker Jack Smith, photographs and rare clips of Smith's performances and films punctuate interviews with artists, critics, friends and foes to create an engaging portrait of the artist. Widely known for his banned queer erotica film Flaming Creatures, Smith was an innovator and firebrand who influenced artists such as Andy Warhol and John Waters.

Billy Collier is a photographer working on a series of pictures featuring recreations of movie kisses, with drag queens playing the female roles. For his male model, he hires Gabriel, a young waiter on whom he has developed a serious crush. While Billy is openly gay, Gabriel says that he is straight and even claims to have a girlfriend. However, as they spend more time together and grow closer, Billy becomes increasingly unsure that this is true.

At age 73, writer and melancholy master of the bon mot, Quentin Crisp (1908-1999), became an Englishman in New York. Nossiter's camera follows Crisp about the streets of Manhattan, where Crisp seems very much at home, wearing eye shadow, appearing on a makeshift stage, making and repeating wry observations, talking to John Hurt (who played Crisp in the autobiographical TV movie, "The Naked Civil Servant"), and dining with friends. Others who know Crisp comment on him, on his life as an openly gay man with an effeminate manner, and on his place in the history of gays' social struggle. The portrait that emerges is of one wit and of suffering.

Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim. The film is about the singing and acting career of Tally Brown, a classically trained opera and blues singer who was a star of underground films in New York City and a denizen of its underworld in the late 1960s. In this documentary, Praunheim relies on extensive interviews with Brown, as she recounts her collaboration with Andy Warhol, Taylor Mead and others, as well as her friendships with Holly Woodlawn, and Divine. Brown opens the film with a cover of David Bowie’s “Heroes” and concludes with “Rock ’n’ Roll Suicide.” The film captures not only Tally Brown’s career but also a particular New York milieu in the 1970s.

Andy Warhol described Jackie Curtis as “A pioneer without a frontier.” In this biographical documentary, Curtis’s co-workers and friends speak of her work and her influence, along with clips from Curtis’s Warhol films as well as never-before-seen footage from her stage shows.

Kristy Nichols is a prostitute with a difference — she is transgender. She decides to make a life change just as a college film professor offers her a part in serious porno film.

Francis and Blake Falls are Siamese twins who live in a neat little room in a rundown hotel. While sharing some organs, Blake is always fit and Francis is very sickly. Into their world comes a young lady, who turns their world upside down. She gets involved with Blake, and convinces the two to attend a Halloween party, where they can pass themselves off as wearing a costume. Eventually Francis becomes really ill, and they have to be separated. They then face the physical and mental strains that come from their proposed separation.

Andy Warhol, one of the most influential artists of the 20th century (who also coined the immortal catchphrase "In the future, everyone will be famous for 15 minutes"), gets the definitive treatment. This film includes a look into his inner circle and examines both his artistic and personal impact on society. From day-glo Marilyns and Elvises to Campbell's Soup cans to the groovy 1960s and '70s, step into the limelight of the Warhol world.

Inspired by shock-documentaries like Mondo Cane, this film looks at the wilder side of life in America. Starting off with the bloodier side of the American car culture by showing a series of crashes at race events, the film then goes on to lesser-known sexual practices. Included among these is a porno movie award show, a nude beauty contest, a sex therapy session, and a detailed explanation of where dildos come from.

Takes an in-depth look at the lives and times of the people who hung out with Andy Warhol and "worked" at the Silver Factory during the Sixties, making it all click as a new counter-culture arose and began to exert its influence throughout the arts.

“Mineshaft: The Cruising Murders" peels back the layers of controversy surrounding the making of the 1980 thriller, "Cruising." Directed by William Friedkin, the film triggered fierce protests from the LGBTQ+ community for its portrayal of a serial killer targeting gay men in New York's leather bars. Friedkin drew inspiration from the brutal murder of Variety reporter Addison Verrill, blurring the boundaries between cinematic fiction and real-life tragedy.