George Hencken

On a January night in 1985, music's biggest stars gathered to record "We Are the World." This documentary goes behind the scenes of the historic event.

Take a musical odyssey through five weird and wonderful decades with brothers Ron & Russell Mael, celebrating the inspiring legacy of Sparks: your favorite band’s favorite band.

A journey through the 1980s and beyond; the story of a band, an era and how one small gathering of outsiders in London shaped the entire world’s view of music and fashion. The film is not only a fascinating, often hard-hitting social and cultural document of the time, but a brutally honest story of how friendships can be won, lost and ultimately regained.

The film is about Little Vuk, the son of the legendary fox who proves its excellent mind and courage.

London: The Modern Babylon is legendary director Julien Temple's epic time-traveling voyage to the heart of his hometown.

In this personal film, Julien Temple, who directed the definitive documentary history of the Glastonbury Festival, explores the alternative side of the festival away from the spotlight of the main stages with their global pop superstars. In fields known as Shangri La, Arcadia, the Unfair Ground, Strummerville, Block 9 and the Common, every year an unlikely attempt at utopia takes shape. Here, the festival reconnects with its radical, countercultural origins combining underground music, performance art and some of the funniest and most provocative sights of the festival with a dark, urgent 21st century spontaneity. Filmed at the 2011 festival, this 75 minute documentary features Michael Eavis, the creators of, and visitors to the true heart of the Glastonbury, and, fuelled by the music of tomorrow, explores the hopes, dreams and personal utopias of those who, for one weekend in June, come together as the tribes of 21st Century Albion.

Anti-Nowhere League: We Are The League tells the full uncensored story of how a biker, a skinhead, a grammar school boy and a Persian exile came together, with no musical talent or ambitions and even less respect for anything or anyone, to burst onto the UK charts with their debut single. Even when judged by the often confrontational standards of U.K. punk, the Anti-Nowhere League were a band committed to offending people. Looking less like a group of bohemian rebels than an especially unsavory biker gang eager to stomp someone, the Anti-Nowhere League made an immediate impact when they burst onto the British rock scene in 1980. They were heroes to hard-boiled U.K. punks, and to nearly everyone else they were an affront to all decency - which, of course, made the punks love them all the more.