Harold L. Muller

Only a few minutes remain of this partially lost film. A scientist discovers a potion that restores things to their original form: pets, jewelry--endless possibilities. His assistant wonders about its applications, with comical results.

Charley has to find an ostrich egg in a hurry for a disgruntled visitor, but he doesn't count on the introduction of some surreal plot twists and turns that foil his every attempt.

When Charley asks a young woman whom he is in love with to marry him, she tells him that he needs to get her father's consent. But when Charley then goes to see her father, who owns a restaurant, he ends up getting hired as a dishwasher instead. The rest of the kitchen staff soon find out that Charley is not a member of their union, and they go on strike. Charley is left by himself, leading to a series of upheavals in the restaurant, and a great invention.

Charley asks for his girlfriend's hand in marriage, but her father, the police chief, angrily refuses to allow her to marry anyone who is not himself a policeman. Charley then decides to join the police force, so that he can win her. But when he applies, he is rejected because he is too small. Charley doesn't give up, and he soon thinks of a way to avoid the size restriction - but simply joining the force is only the first challenge that he has to face.

The Liars Club is holding their contest to see who can tell the most unbelievable story, with a gold medallion waiting to be awarded to the winner. Disappointed with the other members' bland efforts, one member brings in Charley Bowers, who has an extraordinary tale to tell. Charley claims to have invented a magic potion that enables him to grow absolutely anything by a simple grafting process, and he proceeds to tell his story to the club.

Pete Roleum, an oil droplet, narrates a presentation about the history and uses of oil: He starts by introducing some of his relations, with illustrations of the things that they have done throughout history. He then turns to the modern era, and shows that oil has a great many important uses, some of which might come as something of a surprise.

Charles Bowers is once again an eccentric inventor. This time, he has only a matter of hours to debut his extraordinary new invention in order to collect a huge bequest from his deceased father. Along the way, his evil uncle tries to sabotage the machine, so the inheritance will go to him.

When a mysterious figure appears to cause a series of disruptions at the Frisbie Home in New York, word goes out to Scotland Yard that the Fuzz-Faced Phantom is at work. Soon, Charley MacNeesha and his assistant MacGregor are sent across the ocean to investigate.

Charley invents a machine that turns ordinary, breakable eggs into rubbery, unbreakable ones for transport. He builds a Rube Goldberg contraption of parts stolen from his neighbors. Rival egg companies want his invention, one of them stooping to sabotage to get it.

Charley is obsessed with learning the Charleston, so he can enter and win a local contest, which promises a large prize and the hand in marriage of a beautiful woman.

A family of mice lives inside a hole in the wall, just outside of the kitchen. One of the mice is ready to go out and get some food, but first he has to contend with the dog and the cat. He ties them down by their tails, and it looks safe to go out now. But then the mouse is confronted by a group of hostile and aggressive oysters.

Charley attempts to invent a non-slippery banana peel.

Charlie, working on a junkjard, always trying to help people in the most impossible ways with junk from his work place, hears from a German professor, that there is a bird, a Belgish Kongo, that eats metal. Charlie sets out on a ridiculous hunting expedition to catch one. With some music - the birds love music - and a strange worm he is able to catch one, but even then the bird offers some even more over-the-top surprises.

Whoozit, produced in 1928 by Bowers Comedy Corp, was considered totally missing. This unique 16 mm print was discovered in 2008 in the collections of the Eye Film Institute. It is incomplete, and only retains the second half of the original production. It was restored digitally by Lobster Films, Paris, in November 2013.