Santiago Giralt

An incestuous love affair. Meme and Jeremias are the younger children in a typical bourgeois family. Their mother Lucia is the dominant force in the household, but her fixation on upholding the niceties of upper middle class life has prevented her from seeing what is going on under her roof. When the siblings’ older brother and his fiancee arrive home for their wedding, it seems inevitable that the concealment will be impossible to sustain. But equally it becomes apparent that if Lucia were to find out about the affair, there would be catastrophic consequences.

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This Argentinian dramedy gives us elements of Woody Allen’s nervous comedy and Cassavetes’ melodramatic roller coaster in a storm of egos that takes place on one decisive weekend in the lives of Juana, a popular actress about to star in an important theater production, and her husband Roman, a director suffering from writer’s block. The couple’s daughter, Lila, serves as a mirror reflecting her parents’ frustrations and joys. The long takes, atmospheric music, and stellar performances, give a poignant, sometimes hilarious portrayal of a family as they attempt to negotiate their egos with their marriage and artistic lives.

Jess is a bohemian youth with secrets to hide from his shrewd parents. James feels trapped living with his irritable mother. After meeting for a sexual encounter, the two young men set off on a spontaneous road trip across rural Argentina to reunite with Jess' estranged brother. On their journey, they confront strange occurrences and engage in a ménage à trois affair that brings them closer. Their newly found affection grows, all while discovering a fresh vision of freedom and happiness. JESS & JAMES is a sexually charged road-trip movie, a love story, and a coming-of-age tale, set against the mythical landscape of the Argentinian Pampas.

A collection of sensual and provocative male-centric LGBTQ+ short films. The 4 short films are: My Pana (2023); Two Amongst Many [Dos entre muchos] (2022); The Anniversary [L'anniversario] (2022); If We Keep Talking in Summer Days (2023).

A romantic comedy about a neurotic girl who makes a vow of solitude after getting dumped.

The story of Julián Lamar, an Argentine actor who tries to get a part in a North American western that will be shot in Argentina.

Eight years after the first installment, Ailén, Fernando, and Nina, meet again in the BAFICI competition. From that reunion, they decide to resume their unfinished project: Tandil/Tromso. They bring along two new collaborators: Martín and Nancy.

Leopoldo is an 11 year old boy who grew up surrounded by artists. During the three months of spring, the boy discovers love in one of his of poetry classmates which she then leaves him with a broken heart.

A woman finds new meaning in her life after her housekeeper quits her job.

A hot summer in a small town. The lives of many characters intertwine as a Preacher comes to town to give them hope.

Two estranged sisters have to live together after many years of a bar relationship. All their past comes back to haunt them with some funny and strange circumstances.

Two twin sisters are making a birthday cake. Like a two headed creature, they appear to be a projection of one another. In the brief afternoon they spend together, they relive past conflicts and some shared fears that come back to haunt them.

Robert Law is 30 years old and lives with the obsession of giving his first kiss and breaking a world record. While taking care of a house in the suburbs of Buenos Aires temporarily, he runs into Laura who accidentally steps on Robert's hand, and unbeknownst to her he decides to follow her through the streets and they strike up a strange friendship, deciding to beat the world record with her.

A mixture of documentary, diary and personal fiction, Queer Diaries is a sensitive and philosophical journey. For the starting point of an unfinished film, a filmmaker lives, travels and records his memories in the shape of audiovisual poems and short stories. The result is a political manifesto in favor of queerness. What are the models of family and happiness that we follow? What movies shall we make for the new world?

Following cuts to arts funding in Argentina, a cash-strapped producer, a canceled actress, and a depressed filmmaker come together to explore a musical about Medea. Joined by a Norwegian actress turned director, they travel to the Peloponnese, where old grudges resurface.

A teenage pop music star who is taking advantage of her rise to fame, another young woman with a more rebellious spirit, a young man who is always in love and a handful of low-level criminals make up a group of characters that have something in common: a shared destiny with an uncertain future.

Nina, Ailén and Fernando are an actress, a producer and a director who want to shoot and independent feature film in Argentina.

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The universe of Argentine independent cinema. The imposture. The unfulfilled dreams. Confinement—the capability for irony, the skill for comedy and the sagacity of UPA! Una película argentina (2007) are back, renovated, to explore the whims of a microworld still in turmoil.