
Maite Alberdi
Directing
Biography
Maite Alberdi Soto (born 29 March 1983; Santiago) is a Chilean film producer, director, documentarian, screenwriter, and film critic. Her film The Mole Agent (2020) was an Academy Awards nominee for Best Documentary and a contender for Best International Feature. The film was also a nominee at the Goya Awards for Best Iberoamerican Film. She is the founder of Micromundo Producciones.
Known For

The World's Fakest News Team tackle the biggest stories in news, politics and pop culture.
The Daily Show

Daily interviews discussing the guest's personal lives and national contingency.
Mentiras verdaderas

An annual American awards ceremony honoring cinematic achievements in the film industry. The various category winners are awarded a copy of a statuette, officially the Academy Award of Merit, that is better known by its nickname Oscar.
The Oscars

A retired professor with a knack for snooping gets a new lease on life when a private investigator recruits him to go undercover and crack a case.
A Man on the Inside

Augusto and Paulina have been together for 25 years. Eight years ago, he was diagnosed with Alzheimer's disease. Both fear the day he no longer recognizes her.
The Eternal Memory

After Chilean writer María Carolina Geel murders her lover, the case captivates shy legal secretary Mercedes, sparking a connection between the two women.
In Her Place

Blanca, an 18-year-old foster home resident, is the key witness in a scandal involving kids, politicians and rich men taking part in sex parties. Yet, the more questions are asked, the less clear it becomes what Blanca’s role in the scandal exactly is.
Blanquita

The profound desire to become a mother and pressure from her surroundings drive Alejandra to fake a pregnancy. What begins as a simple lie turns into a complex charade and unleashes a media scandal that makes it impossible for her to continue the pretence.
A Child of My Own

When a daughter becomes concerned about her mother's well-being in a retirement home, private investigator Romulo hires Sergio, an 83-year-old man who becomes a new resident—and a mole inside the home, who struggles to balance his assignment with becoming increasingly involved in the lives of several residents.
The Mole Agent

After a head injury makes a dimwit stranger out Barbara's beloved Guille, she ceases to feel desire for him. Nearing 35, and longing for motherhood, she settles with a new partner, while the memory of lost love harrows her.
Sex Life of Plants

It’s Christmas season. Ten years have passed since Lina traveled to Chile to work as a domestic worker away from her son who lives with her grandmother in Peru. Manuel, a former employer, ask her to supervise the construction of a swimming pool for his daughter Clara in his new house. In this half-inhabited space, Lina spends the day taking care of Clara, while at night, she has furtive sexual encounters with strangers that confront her with her deep solitude.
Lina from Lima

In a country at the world's end, the highest authority of the Catholic Church lands. The Pope comes to bring the word of God, but Chile awaits him with the most important religious crisis in its history.
God

A photograph of an unknown Mapuche great-grandmother is the starting point of this documentary essay. Through the analysis of said picture, conversations with family members, a trip to southern Chile cities, and an actress who re-enacts the photo, we see the existing prejudice against indigenous people.
Genoveva

Piñon is 6 years old and Chestnut is 9, they are clowns and have lived all their life in the circus, learning to combine applause and school. Piñon dreams of being a renowned circus artist, while his brother worries about studying. One day their life is interrupted by a terrible news, they must leave the circus and with it their father and friends, to go and live somewhere else, there they will be forced to behave as if they were sedentary.
The Trapeze Artists

Chola and Fútbol are a couple of street dogs that live in the Los Reyes skatepark. A microcosm is organized around them, composed of things, animals and young adolescents in conflict with an adult world that they reject but are required to enter.
Los Reyes

Over 46 minutes, the film takes the viewer on a journey to discover different initiatives and cases where Chileans are contributing to mitigate the effects of climate change, from large-scale projects and scientific innovations to day-to-day citizen actions, all of which are collectively necessary. The focus of this documentary is to show how Chile is contributing to an issue that affects all of humanity, such as climate change, in five thematic areas: sustainable agriculture; forest and biodiversity conservation; renewable energy; the water crisis; and astronomy.
I am the Earth. Stories from the End of the World

Day after day, an elderly woman recalls the Spanish Basque country of her youth — while forgetting she is consigned to a retirement home in Chile.
I'm Not From Here

Mauricio, a lifeguard on a Chilean beach, considers himself to be a model of efficiency and professionalism. His colleagues, however, think otherwise, and speculate on why he never goes into the water. Maite Alberdi's visually gorgeous feature documentary debut has the intensity of a short story; beginning as a quirky character study of lifeguards and beachgoers, it becomes something altogether darker and more shocking when events take a dramatic turn.
The Lifeguard

A group of friends with Down Syndrome have been attending the same school for 40 years, and they are tired of being treated like children, they are grown-ups and want to live as such.
The Grown-Ups

Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.