Inés Murillo

An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.

Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.

Four nuns are raped by a group of lepers. Although they all turn out to be pregnant, their status is hidden from them in the convent.

Gloria encounters Francisco, a man whose social veneer betrays a truer self burrowed underneath.

A Catholic priest in a poor community lives a charitable life in accordance with his religious principles, but others do not return the favor.

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After indulging in an affair with a man (a friend of the family) she truly loves, a woman returns to her young son and husband for good, and loses contact with the man. Her husband is unaware of the affair. Twenty years later, there is news that the friend has died and left all of his money to the younger son in the family, which leads us to question this younger son's biological origin.

The arrival of Aunt Alejandra triggers a series of nightmarish events that will put the life of a family at mysterious risk.

A rumor reaches a small town, San Garabato, that a government infiltrator will arrive to check the conditions of the community. Quickly, the municipal president, Don Perpetuo del Rosal, orders the imprisonment of those who might give a bad image. An indigenous man named Calzonzin arrives in town, pursued by two men. He is quickly taken as the infiltrated inspector, and protected by all the local authorities.

Mexico is in the midst of Revolution when the protagonist returns after studying in Paris to find his native town in Chihuahua occupied by Francisco Villa’s revolutionary forces. He visits his deserted home and remembers people and events from his adolescence that provide glimpses of pre-Revolutionary society under dictatorship: his uncle, the chief of police; his sister’s involvement with a liberal political association; bathing with the girls from a local brothel; a labor strike that ended in a massacre. Returning to the present he discovers that his father has been assassinated and, in the company of his father’s former servant, joins the revolutionary movement.

No description available.

Mario Moreno portrays a professor in this movie. A small town in the middle of no where requests the school Mario Moreno is working in for a teacher. He ends up going to give the town a hand. When he arrives he comes to know the corrupt leaders who through out the movie try to make him leave. Although he is being harassed you can see how much he cares for the kids and their circumstances. He deals with problems by using his hilarious comments.

A guy is peer-pressured, despite his reluctance, to play the role of Christ in a local production of the Passion Play.

Orphan girl grows up to take revenge on the men who killed her parents.

While trying to save the famous Tivoli burlesque theater, the participants uncover a web of commercial corruption.

A disciplined and sexually driven man forces his family to stay isolated in their home in order to protect them from the “evil nature” of human beings.

Mateo Melgarejo is a notary public and scribe for the illiterate people of Santo Domingo, a neighborhood north of Mexico City's Zócalo. A squatter friend asks for his help in negotiating with the land census bureau to regularize a land title. After a great deal of frustration with the government bureaucracy, he writes a letter to the cabinet minister, earning an audience with him. The minister hires Melgarejo to reform the bureau, and the appointee proceeds to lecture the officials on their duties in a democratic society. At the end, he gives up the post, returning to Santo Domingo to help its poor residents.

Luis Fuentes, a singer of Mexican music, comes to know a journalist by the name of Maria Luisa Cortéz and fall madly in love with each other. In time, the couple gets married and come to have a son, Rafael. However, they soon divorce because of Luis's many commitments as a singer. This strains the relationship between Luis and Maria, so much so that Maria, stung by bitterness, teaches her son to despise his father and manages to move from Mexico to the United States to keep Luis from contacting his son. Luis wants nothing more than to regain his lost relationship and affection with his beloved son. Therefore, time after time he visits Maria in hope of winning over his son's affection with little success. Over time, Rafael, now a young man, comes to have a passion for music just like his father despite having a hatred for him.

Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!

A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.