Production
An old gangster returns from the United States to Mexico City to live with his sister-in-law and his two nephews, where he will face the daily life of a middle-class family.
Lupita is an orphaned street performer who was kidnapped by a pair of criminals, suffering abuse and exploitation. She became a missing child, prompting her grandparents to search tirelessly for her whereabouts. In the end, she manages to escape the villains and return home.
Mauricio, millionaire, and irreclaimable Don Juan, lives only for and to seduce women of every class and condition. With the help of his butler manages to capture the hearts of many to abandon and then having a panic marriage.
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A disciplined and sexually driven man forces his family to stay isolated in their home in order to protect them from the “evil nature” of human beings.
"Faith-healer" develops a cult-like following in 1920s Jalisco.
The charitable Emilio is a jealous barber tries to prevent at all costs the rich toting Mario mess with his girlfriend Rosita. Although Emilio help with money from neighbors, gets entangled in a misunderstanding and ends up in jail but his friends are out of charge so much trouble.
Desperate because of his son's illness, the peasant Eufemio steals a pearl from the image of Santa Lucía in the village church.
In this minimalist stage version of the MGM film, Dorotea is swept to Oz by an offstage tornado, greeted by Glinda and flowery Munchkins, not played by actors. Glinda looks suspiciously like Mother Ema (not Aunt). A Wicked Witch appears with blacked out teeth who looks like Dona Brujilda, who has been trying to get rid of Dorotea's dog.
Aurelio is a shark fisherman who works very hard to send money to his family in the city and keep Manela, his young lover on the coast. One day, he decides to move to the big city.
Two middle-aged couples take a Murphy's Law vacation in Acapulco.
A worker of the Mexican Indigenist Institute tries to help the Tarahumara Indians to protect and keep their lands, but he must face corrupt landowners and politicians.
A plague is spreading through 16th century Mexico, and the Inquisition of the Roman Catholic Church is rooting out Jews, for they are believed to be its cause. At his father's funeral, a monk observes his family practicing Jewish burial rite, and he reports them, leading to devastating consequences for the whole family.
A woman is sent to Mexico to kill the person who presumptly killed her father.
A novice eats some special mushrooms and changes her personality acting like a crazy psychedelic girl.
Torn between three lovers and bored by her typewriting classes, Carolina (Dillian) writes a passionate love letter to fictional Pablo Garza from Monterrey. The letter is sent by mistake and received by real Pablo Garza's girlfriend. Pablo himself (Infante) flies to Mexico City looking for an explanation. Carolina is rehearsing a musical show for her school dressed as a man. When Pablo meets her, she pretends to be her brother Anibal, a shy and feminine sailor. Pablo likes Anibal and invites "him" to a cabaret. After that, Carolina falls inlove with Pablo but resists to unveil her real self. Meanwhile, Pablo feels himself confused, because young "Anibal" is cute as an angel and has "those blue eyes..."
Batwoman and Robin meet the Queen of the Vampires is a 1972 Filipino action horror film directed by Tony Cayado (Kamay na gumagapang, Dracula Goes to R.P., Living Dead) from a screenplay by Greg Macabenta.
