B.H. Tharun Kumar

A woman is caught between one man's love and another man's obsession. She fears one and fears for the other. One stands for love and the other for life. Who will she choose?

The story concerns Muthu, a charismatic, well-respected and loyal servant and charioteer of Raja Malayasimman, a wealthy zamindar. While Muthu and Raja's exploits lead them to fall in love with the same woman, an actress and dancer named Ranganayaki, Raja's materal uncle Ambalathar is keen on assuming control of the family's property.

Padayappa, a mechanical engineer whose father gives up his property to his foster brother, and then dies of shock soon after. Neelambari initially loves Padayappa, but plans to humiliate him after his family humiliates her father. The rest of the plot deals with Padayappa overcoming all the obstacles placed by Neelambari.

Kishan has always been faithful to his wife, Kaajal, who constantly suspects him of having affairs. Meanwhile, Kishan's friend Prem frequently cheats on his doting wife, Pooja, without getting caught, incurring the disapproval of Kishan and photographer Sunny. Tired of listening to his moralistic pals, Prem introduces Kishan to Bobby, an attractive escort.

Arunachalam, the son of a prominent village elder, discovers the truth about his past.

Uprooted to America, an aspiring Indian entrepreneur confronts disapproval, sexism and rivalry as she draws from her culture to start a tea business.

Shiva, the ageing business tycoon, bound to his wheelchair, sharing a strong bonding with his son Vishnu. Indulgent, while Vishnu whiles away his time with his cronies taking life easy. But then suddenly Vishnu starts behaving out of character, his drunken bouts and acts causing the father much shame and embarrassment. And when Vishnu professes to remember nothing of what he had done, the father takes him to a psychiatrist.

Baba is an atheist who always questions the existence of a higher power. But when a turn of events bestows him with divine powers, he uses the opportunity to help other people.

Badal is a victim of the 1984 riots, brought up by a terrorist. Badal aims to kill the treacherous police officer who had killed his parents and his loving sister. He takes shelter in the house of an honest police officer and falls in love with a minister's granddaughter. Will he be able to accomplish his revenge?

A cabaret dancer who was raised in a brothel sets out to find her biological mother.

Three young men, who are all of marriageable age, gets their hopes up on marriage, when a beautiful young woman comes to live in their neighborhood. Her name is Pooja Iyengar. All three of them try a hand at romancing her, and only one succeeds, that being Raju. The only problem is that while Raju is Gujerati, Pooja is Madrasi from the Iyengar community, and her dad, Shashtri, will not permit her to marry anyone outside his community, leave alone a Gujerati, and proceeds to get Pooja to get married to Prabhu, a young man from the Iyengar community, with hilarious results.

The film is a tale of revenge. Police Inspector Suraj whose family is destroyed, kills his enemies as well as those of his love, Bharati.

Although Krishna and Radha are in love, their class differences prevent them from getting married; Radha eventually marries a man named Gopal, but leaves him soon after giving birth to her daughter without giving notice.

An emotional thriller directed by Sai Rajkumar, starring Cheran and Srushti Dange in the lead roles.

Thenali suffers from panophobia and seeks doctor Kailash's help but the latter denies his request. Later, when Kailash goes on a vacation with his family, Thenali joins them and charms his sister.

A man from lower social background qualifies and gets an administration job and to match his higher social occupation, he leaves his family, friends, and fiance. But gradually he understands his mistake and returns for his people. Finally he finds his wrong decision for the mining in his village has lead to the destruction and down fall of his people and everyone lives the village and him behind alone.

A love failure guy , who is addicted to drugs and incidents that happens in his hallucinations creats an illusion of looping.

Sadly, Kaash... Mere Hote! relies on the age-old tricks that made masala films so popular with viewers in 1970s and 1980s. The movie throws logic out of the window [the obsessed girl is blessed with super-natural powers], unwanted songs keep popping up every 10 minutes [at times, every 5 minutes], there's a comedy track running parallel, with no connection whatsoever with the main plot. Simply put, Kaash... Mere Hote! is archaic, outdated!

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