Ana Díez

Two young people learn about love as politics turn their world upside down in this drama from director Ana Diez. After a long and successful career as a soccer player, Xavi retires from the game and moves to Spain, where one day to his surprise he happens upon Rosana, a friend from his childhood in Uruguay. As Xavi and Rosana catch up on what has happened to them over the past thirty years, they flash back to 1973, when young Xavi and his father Manuel, a shoemaker, lived down the street from Rosana.

Drama on juvenile delinquency, unemployment and drugs. Jon, a boy of twenty, gets up at seven o'clock and from that moment we can see how he lives the friendship, love, family relationships and his dark passion for drugs.

A multi-part feature on the governing body of Spain, the Popular Party under Jose María Aznar. Themes include the bombing of Iraq, immigration, U.S. fire in Baghdad, and the manipulation of the media.

Two former seminarians meet by chance in adulthood: one has become a dealer, the other a terrorist.

It's 8 AM in a summer morning from the 70's. Jon, an ETA member, is being chased by the police in the Old Town of San Sebastian. While he runs, he revises his whole life.

In the microcosm of a private school, the latent traumas of adults coexist with the teenager’s wild search for identity. From somewhere on its walls, travelers could glimpse suggestive ports, but no one finds enough energy to leave the trip. The fruits of the past lay roots that imprison and immobilize those who close their eyes as salvation.

Marta must travel to Colombia to take charge of the corpse of his brother Juan, who has been murdered. Once there, she gets involved in a mysterious plot.

Internet as a victim facilitator for sexual slavery underage hitmen, infant labor workers under inhuman conditions, dysfunctional shelters, collateral victims and distraught families are some of the topics engaged by The Wild Dance

Elvira Luz Cruz was accused of killing her children. The filmmakers interview neighbours, the father, the mother-in-law, the psycologist and the lawyer that defended her.

Jaime is frustrated by the feeling that some time ago he let the woman who would have been the woman of his life slip away. He now lives in Madrid, is married and the father of a daughter. On the occasion of a trip he has to make to his parents' house in Pamplona, he remembers the summer of 1992 when he met Eva. There, in Pamplona, Jaime prefers to spend the San Fermín festivities in the swimming pool, lying in the sun and devoting himself to his favourite hobby: observing the girls and portraying them in his sketchbook. Jaime looks at the smallest details to classify people, especially one: he is fascinated by girls who bend their legs when they talk. Translated with www.DeepL.com/Translator (free version)

No description available.

Domingo is a bookmaker obsessed with gambling. Martzelina, his wife, has the constant feeling that her husband, always accompanied by Kornelio, is going to meet with misfortune because of gambling.

At last we are starting to hear the voice of women in the cinema. We celebrate it with this documentary on the Basque women moviemakers of yesterday and today, giving a global overview of the subject. Three female divers guide us through the topic of their films, their points of view, their dreams, their efforts to get somewhere, their contribution to the cinema and to society.