Acting
When three working class kids enroll in the most exclusive school in Spain, the clash between the wealthy and the poor students leads to tragedy.
Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.
La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on AquĂ no hay quien viva, which ended when Telecinco bought MiramĂłn Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactorĂaDeFicciĂłn and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.
A caustic satire of many of the 'types' found in Spanish society.
Follows police officer Francisco "Paco" Miranda and his men through funny cases.
Babi, a sheltered upper-class girl, and Hache, a reckless rebel obsessed with illegal motorcycle races, fall into a forbidden love that pulls them deeper into passion and risk.
No description available.
Amongst the vibrant international community of the eponymous Spanish island, a British and a German detective with very different approaches to policing have a clash of personalities. Despite - or perhaps because of - their very different approaches, the sleuths form a perfect complementary partnership as they seek to solve a new crime on the island each week.
The action continues from [REC], with the medical officer and a SWAT team outfitted with video cameras are sent into the sealed off apartment to control the situation.
Sira Quiroga is a young Spanish dressmaker engaged to a solid suitor when a suave typewriter salesman upends her life. Spain is being upended by a civil war and the new regime's growing alliances with Nazi Germany. Sira, smart, gutsy and resourceful with a Scarlett O'Hara-like ability to whip up designer duds on a moment's notice, Sira has spunk. Sira gains and loses a small fortune, is dumped by her cad of a lover in Morocco, runs guns to get the cash to start her life anew and becomes couturier to the Nazi wives stationed in Madrid. Urged on by her friend, the real-life British spy Rosalinda Fox, Sira, too, aids the British cause.
Things change massively at a girls' school in 1920s Sevilla when a new teacher arrives with a secret goal related to the academy itself.
Lucas, a 47-year-old boy, and Antonia, an old woman, live together in an apartment in the center of the city. Their life goes on as usual until an investment fund acquires the building to turn it into tourist apartments. Lucas tries to get the necessary money to avoid the loss of the house, but a wrong decision will change the rest of their lives.
A hit man receives the assignment to kill a woman. But what seems as another job complicates when he is about to execute her, but does not. He will have to go after those who gave him the contract, for, in his profession, those who do not comply with their duty end up dead. But the question remains, why did he not kill the woman?
Spain, 1970s. While a cruel dictatorship rules an eternally grey country through fear, violence, repression and censorship, MarĂa, a young dancer, dreams of bringing bright colours into her life and the lives of others, as she makes her way towards personal freedom and pursues her crazy dream of becoming a TV star; a very funny journey in which she will be comforted by the pop songs of the incomparable Italian singer and dancer Raffaella CarrĂ .
A family struggles to have a worthy home, but circumstances go against them.