Emerson Reyes

Once upon a time, you were born. In the Philippines, there was no science education when you were a child. When they began to offer it in your adulthood, you leapt at the chance and studied harder than everyone else. You learned of kingdoms and species and genes and atoms. Science helped you to see the bigger world beyond. You studied so well, an American university paid you to keep studying with them, so you left. You gained mastery over the evolution of birds there, but you missed home the whole time. You lost your first wife and son to Science. So with degree in hand, you went back to your people. You found that they had burned their forests, and had exploded their seas. So you gave a new bird to your people; because, now you knew how to use it to save them. This was the piding. And the rest is the story of Oliver Carlos.

On a commuter's trip from Manila's business district to the suburbs, the director finds a myriad of possibilities, ranging from miniature ironic situations to a love story that is finally finding its unexpected closing.

Charles, an engineering student with an eye for beauty, just returned from school to a dormitory owned by Aling Linda, a strict, lonesome widow. Other occupants of the dorm include Max–now on his 7th year in college, Sheen–his reluctant partner, Steven–a social entrepreneur, Ramon–his cop lover, Alex–a call center agent, and Jenny–his attentive girlfriend. They all spend the evening tucked away in solitary rooms, talking about collective experiences, sharing a similar fate. And rent is due.

An allegorical disagreement between a boyfriend named Juan (the Filipino people) and his girlfriend (the Philippines) about when to give birth to their child named “Democracy.”

An endless night with a couple enclosed in a room that divide their personal lives from their true characters.