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Detten Schleiermacher did not start making films until late in life. He was actually a typographer. With “Trab Trab” he made an impish attempt to create a synthesis between Dadaism and New Objectivity. The film is a precise and elegant account of a racecourse. It does so without narration or images of either horses or patrons; everything we see has been captured either pre- or post-race.
The young Marion is arrested by the police for pimping, prostitution and indecent exposure. Reporter Axel Rottmann sense a lucrative story for his newspaper. He makes a deal with Marion, to tell her story.
The mermaid Undine is looking for a man who is worthy of her love.
Fictional film with documentary elements about a jazz musician in Berlin.
Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.
The submissive assistant of an abnormal jeweler becomes the victim of a doppelganger who plans the perfect crime.
A young electrical engineer, engaged to his boss's daughter and on the way to a secure existence, breaks out of his usual life when he meets a childhood friend.
Short film about labor relations.
An episodic film, telling four erotic tales: Angela isn't sexually satisfied by her husband, so she simulates sleep-walking to visit her neighbor across the street every night; when his bathtub runs over, shy Peter gets to meet his sensuous neighbor Lolita; at a high-school reunion his former students pull a prank on Prof. Hellberg and make him believe he cheated on his wife while being drunk; Sybill has a good time during a break at the opera with the famous conductor Cramer.
Documentary about construction work.
Documentary short by Bernhard Dörries.
Potato Fritz and his friends have moved from Germany to the American Wild West, settling eventually in the Rockies. They are besieged by what appear to them to be hostile Native Americans. Before too long, it becomes clear that the hostiles are in fact a gang of gold thieves. This movie is notable among German-made Westerns for its use of authentic period costumes and firearms.
Short "Fragezeichenfilm" about a girl who wants to be a star.
This drama is taken from Thomas Mann's 1903 semi-autobiographical novel. Tonio (Jean Claude Brialy) is an aspiring writer and the son of a rigid aristocratic father and a music-loving mother. Wandering throughout Germany and Italy to "find himself," Tonio frequently remembers his childhood experiences in a series of flashbacks. The highlight of the film is the expert lensing by cinematographer Wolf Wirth. Erika Mann, the daughter of the late poet and author, collaborated with Ennio Flaiano on the screenplay.
Vesely’s study on changing urbanity claims that "the Espresso has a democratic touch." Italy has expanded into Munich and instead of beer hall cellars, there are Cappuccinos, ice creams and tables in the open.
Confusion results when a young man walking through a park joins in a game of tennis.
The sun motif in the art of various peoples (including the Egyptians and the Incas) and the sun’s role as the Earth’s source of energy are explored. The film also features footage of the total solar eclipse on June 30, 1954, on the Swedish island of Galtol.