Manuel Vicent
Writing
Known For
In 1987 Madrid, the unexpected encounter between a seasoned journalist and a young student leads to a profound exploration of love, desire, politics, power, and discovery of each other.
Madrid, 1987
A new literature teacher, Ulises, comes to a small town near the sea and falls in love with a young woman, Martina. This woman is loved by a rich businessman named Alberto but chooses Ulises. Soon after their marriage and the birth of their son, Ulises vanishes while fishing at sea. In the meanwhile Martina marries Alberto, but all is not what it seems...
Sound of the Sea
An account of the life and work of genius Spanish writer Francisco Umbral (1932-2007), author of almost 200 books and more than 1000 articles; as well as an analysis of his both hieratic and strambotic public figure and certain unresolved personal enigmas in order to find an answer to what a real dandy is in this modern and convoluted times.
Anatomy of a Dandy
The film is based on the autobiography of writer Manuel Vincent. His father doesn't want him to become a writer and sends him to Valencia law school. One day Manuel sees his dream girl and follows her on a trolley car to Malvarossa beach. He then studies in college, meets call girl La China who teaches him love secrets, but still remembers that girl.
Tranvía a la Malvarrosa
July, 1936. The terrible Spanish Civil War begins. When the streets are taken by the working class, the social revolution begins as well. The public shows are socialized, a model of production and exhibition of films, never seen before in the history of cinema, is created, where the workers are the owners and managers of the industry, through the unions.
Celuloide colectivo: el cine en guerra
An account of the life and work of the singer and songwriter Miguel Ríos, pioneer and true icon of Spanish rock music.
Cruce de caminos
No description available.
Rafael Azcona
No description available.
Elogio de la Luz
A walk through the work of Luis García Berlanga (1921-2010) that is neither a documentary nor a narrative movie, but a tribute to one of the greatest directors of Spanish cinema. Anything can happen: the performers are not themselves, but their characters; there are no interviews, but greetings; a series of entrances and exits. A joyful reunion, a celebration of life.
Por la gracia de Luis
No description available.