Richard Kay

During an assignment, foreign correspondent Steve Martin spends a layover in Tokyo and is caught amid the rampage of an unstoppable prehistoric monster the Japanese call 'Godzilla'. The only hope for both Japan and the world lies on a secret weapon, which may prove more destructive than the monster itself.

A re-edited Italian-language dubbed version of the original Godzilla, using as a basis the U.S. version, "Godzilla, King of the Monsters!" (1956), plus WWII newsreel footage and clips from other science fiction films. The re-edited film was then colorized via a process called "Spectrorama 70" consisting of applying various colored gels to the black and white footage. The film's opening and ending also features new music composed by musicians Fabio Frizzi, Franco Bixio, and Vince Tempera (under the pseudonym Magnetic System).

Obscure French version of the original Godzilla. The film combines elements of the original Toho version and the American King of the Monsters! in a unique assemblage exclusive to the Francophone market. Released by Les Films du Verseau.

A choreographer who believes that he was reincarnated also believes that his present wife possesses the soul of his wife in his previous life, a ballerina.

Rock and Dr. Andrea travel up the Amazon to find out why the plantation workers have left their work in panic, allegedly because of attacks from Curucu, a monster who is said to live up the river where no white man has ever been before...

A chorus girl's career is ruined and her brother is driven to suicide when she starts smoking marijuana.

During World War II, an American bomber pilot is rescued after drifting at sea aboard a raft. After being administered truth serum, he tells the doctor a story of how he and the three survivors of his plane crash washed up on an island that was inhabited by a tribe of beautiful primitive cave-women, dinosaurs and a group of savage cavemen who are bent on abducting the women for breeding purposes.

A nightclub operator, her sister, a beautician and two other women rob a payroll.

“I just tell ’em, I don’t explain ’em,” Red Skelton used to say. But even Freud couldn’t explain International Burlesque, an Arkay Enterprises pic which bounces around more than spit on a hot griddle!