Acting
La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.
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The Galgo brothers are inseparable macho loners living in the heart of Andalucia at the turn of the century. One day Rafael comes home with Gracia, who is to be his servant and lover. They become trapped in a hell of their own making.
In the mid-fifties, El Nini lives in the poorest and most forgotten rural Castile (Spain). He is a child with no more knowledge than those provided by nature. El Nini lives with his father in a cave, and with him he devotes himself to the hunting of water rats, the only means of subsistence they know. But when they are tried to deprive them of their roof and their livelihood, violence will erupt uncontrollably.
When a series of murders hit the remote English countryside, a detective suspects a pair of travelers when it is actually the work of the undead, jarred back to life by an experimental ultra-sonic radiation machine used by the Ministry of Agriculture to kill insects.
Tatin is a young man of fifteen years old who joins a violent group of extreme right-wing ideology, led by Blanca, a mature woman of influential personality.
Elisa has not seen her father Luis for nine years, but she receives a telegram from her sister Isabel in a moment of crisis in her marriage with Antonio telling that her father is ill. Elisa decides to travel to the countryside of Madrid with Isabel and her brother-in-law Julián and their two children to visit Luis for his birthday. Elisa decides to stay with her father when her sister returns to Madrid with her family and she gets closer to Luis, understanding why he left her mother years ago. Later she tells him that Antonio cheated on her with her best friend Sophie and their relationship has ended. When Antonio unexpectedly arrives in the house, Elisa makes a decision about her life.
An amateur detective helps a hotel owner to find her younger sister.
El senor Galindez is a Spanish movie starring Antonio Banderas
Spain, 1977. The first general elections are about to take place after the long dictatorship and the progressive environment of Madrid is easily palpable. Protagonists, Carmen and Juan were once married and now living separately, both have a child. It's one of the only reasons they maintain cordial to one another. Their separation, the political context and the contradictions of the progressives of the time will not defeat the affinity between the two.
A newlywed couple goes to the beach on their wedding day to celebrate those moments that should be the happiest of their lives. But the scariest of nights awaits them, and the wedding...was just the beginning.
Pedro Jarrapellejos is a ladies man who cannot turn the heads of Isabel or her beautiful daughter. When both peasant women are found raped and murdered in a brutal scene, a schoolteacher is falsely accused. Pedro knows his own nephew and his friend participated in the killings, but he uses his considerable influence over the police and courts to intimidate the witnesses into silence.
Pedro Martín, a young and ambitious doctor, is studying the effect of cancerous cells on mice, but he has run out of mice in his laboratory, since they do not breed there, and he has no funds to purchase more of these expensive laboratory animals from the United States. Nevertheless, his assistant, Amador, informs him that he gave some of the mice to an old trapper, nicknamed “el Muecas”, who lives in precarious conditions in a shanty town outside Madrid, and that this poor man has successfully bred them with the help of the natural heat of his daughters. The incredulous scientist goes to the shanty town to obtain the mice. There, Pedro meets Muecas, Muecas's wife Ricarda and their two daughters Florita and Conchi. With the warmth of the women’s breasts, as the flirtatious Florita shows Pedro, the mice are able to reproduce.
In 1568, Saadi prince Abdelmalek is exiled from Morocco by his brothers, an event that is only the beginning of his adventures: fighting the Spanish Inquisition, taking part in the Battle of Lepanto, being incarcerated in Alicante prison, and assist in the Conquest of Tunis. Eventually, he returns to Morocco to fulfill his destiny.
A set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.
