Baran Kosari

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

Alborz Shams, a resident of Germany, returns to Iran for the death of his father, but in Iran everyone calls him Farhad Babaei and no one remembers him, not even his love Sara.

Kingdom of Jamkard, ancient Persia. After defeating the armies of Ahriman, embodiment of evil, King Jamshid, bearer of the light of Divine Power, abandons his people blinded by pride, determined to conquer new lands. Thus, by chance, Zahhaak becomes regent and undertakes the reconstruction of the devastated capital. But then Ahriman, who dwells in the heart of every human being, begins to poison his tormented soul.

In 1310, the Ministry of Culture and Arts decided to form a women's association to compete with similar organizations and then eliminate them. Mirza Mahmoud Zanburakchi, a high-ranking employee of the Civil Registry Department, is invited to take responsibility for the selection of members and then the activity of the center, along with Delbarjan Tajerbashi.

Aftab Parast is a comic series whose main role is played by a person named Jamal Porsche (played by Pejman Jamshidi)! This comedy series is actually the story of two friends named Jamal and Manooch, who have love for Lati and become level one in the game, but because of their recklessness and bad luck, they get caught by the police and go to jail. In prison, Jamal tells everyone that he only drove a Porsche in the first level and that's why he is known as Jamal Porsche and...

This film is about the interest of a person named Ahmed in cinema. Ahmed has been very interested in cinema since his childhood. He started working in cinema as a teenager because of his interest. Ahmed is currently a famous tea man in Iranian cinema.

A corrupted police officer insists on bribing a broke man, so he has to go to everybody and do everything in order to be able to pay him in the very night.

Award-winning Iranian filmmaker Rakshan Banietemad ends her eight-year hiatus from feature filmmaking with this ingenious, mosaic-like narrative, which knits together the stories of seven characters to create a microcosm of Iranian working-class society.

When forced to divorce his wife by family and social pressure because her mother is a prostitute, Nazar works double shifts to pay back the loan he took out for his impulsive wedding and to pay some ongoing restitution to his sweet jilted bride, Reyhaneh. When he falls behind in the payments he flees the police and ends up in the desert with an uncommunicative old man who catches poisonous snakes for their venom. These two are forced to coexist in the desert, because Nazar is unwilling to return to the city and wants to catch snakes to make enough money to settle his debts. His verbose, chattering annoys the reticent old man until Nazar's life is endangered.

harming drama set in a rural area of post-war Iran. This heartwarming story follows a thoughtful young woman who serves as a leader to the community and a seemingly naive young man who is smitten with a local girl. The film observes their customs and traditions in the tranquil setting of their natural environment. Despite the irreparable damage to their lives due to the war, the villagers remain warm-hearted and kind to those they encounter. The past haunts their lives, but their hearts remain pure and strong in war torn times.

A young woman fleeing Iran via Turkey will do whatever it takes to reach the West. One evening she meets a young Turkish-Iranian man outside a club in Istanbul and offers to get him into the club for free. A a relationship develops between them and she convinces him to leave Turkey with her. They initially approach a relative of the young man, who owns a carpet shop, to help them escape but between drugs and fiery temperaments things seriously misfire. They then try to to hustle for the money they need to pay for fake passports and visas but in the carpet bazaar of Istanbul they are out of their depth.

After a long time, three sisters come back to their paternal house. They face a caretaker along with their mother struggling with Alzheimer's. But there is no trace of the father who has disappeared in an early morning. A dead body is found, but none of the sisters are going to identify the body due to the hatred rooted in their hearts. There is a dark secret in the family, but no one intends to talk about it.

After three years in prison, Nader is given a furlough to go home. He has 48 hours to become a father to his four-year-old daughter.

Qasem is a roadblock employee at the municipality, trying to improve his life while facing problems with his wife Narges.

Tomorrow is Samira's wedding ceremony and Bahar and Parisa are shopping excitedly. But at night somebody calls and tells them that the bride is dead and the wedding has been called off. They are both shocked and they cannot believe what they have heard, so they go straight to their friend's fiancé, Mansoor, to find out about the cause of her suspicious death.

This movie is a romance scene in the context of a city trip in Tehran, where the main character of the film is trying to maintain the balance between the four personality dimensions of a woman (Mistress, Mother, Amazon, and Madonna archetypes). Like the very close encounter, this movie has a playfulness and narcissistic feelings besides thematic and temporal concerns.

An elderly owner of a tomato farm and sauce factory, after his wife's death, falls in love with one of the workers of the factory endangering his relationship with his daughters and in-laws. While everybody in the big family persuades the old man to abandon the relationship with the poor girl, the old man makes his final choice of love.

The uneasy relationship between a mother and daughter is made all the more turbulent by drug abuse in this downbeat drama from Iranian filmmakers Rakhshan Bani-Etemad and Mohsen Abdolvahab

Tuba works daily at a grueling textile factory in Iran, returning home every night to deal with the rest of her problematic family, which includes: a pregnant daughter whose husband beats her regularly; a teenage son, who's been getting into trouble due to his burgeoning career in radical politics; and an older son who goes to great lengths--such as attempting to sell the family's meager house--in order to get an engineering job in Japan as a means of getting out of Iran.

A remote village has not had a previous boom for years. Residents have either been forced to migrate or are in poverty and misery, but the village has a new guest. But the village has a new...