Paul Vester

The Twisted Tales of Felix the Cat is an American animated television series produced by Film Roman. the series first aired on September 16, 1995 on CBS Saturday mornings lasting for two seasons with the final episode airing on April 12, 1997. The first season consists of 13 episodes and the second and final season consists of 8 episodes.

Six animated shorts eschew traditional animation by featuring supernatural elements and darker themes, such as alien snatchings, life among mannequins and a spiritual rebirth. Among the films are "Ape," which features a couple fighting over a cooked monkey every night; "The Story of the Cat and the Moon," which is a tale of unrequited love; and "Gentle Spirit," which is based on a Fyodor Dostoyevsky story.

The bizarre adventures of the cartoon character Foska, drawn by 22 animators working in collaboration. Each animator worked on his or her own sequence only and did not know what action preceded or followed his or her sequence, except that the first drawing of a sequence is the last drawing from the previous sequence. Preserved by the Academy Film Archive in 2010.

This is an animated documentary about FOOD! I interviewed vegetarian, vegan, pescetarian and meat eater about their opinions about food and life choices. Then I animate real food with stop-motion technique based on the interviews. By putting the conversations in different context, the food speak for themselves.

At the end of the workday, the women of the city head to the bathhouse.

A flesh-rotting zombie leads a support group for down and out monsters. Made at CalArts 2010.

Five tales of alien abduction told using a wide range of animated techniques.

British animation short from Paul Vester.

Football crazy, football mad. Don’t watch this off-beat jukebox cartoon expecting any conventional soccer action. Equal parts Disney, Dali and Duchamp, this abstract mix of black and white photos and alternative comix style animation is accompanied by a medley of doo-wop classics and documentary soundbites. The film is certainly an extreme departure for those familiar with the more conventional output of the Halas & Batchelor studio, best known for their feature-length version of George Orwell’s Animal Farm (1954). Paul Vester was one of a number of sixties art school graduates that brought a mix of pop art and illustration influences to the company whilst it was undergoing a brief change in its ownership. As a warning, in keeping with its progressive, adult style there is some brief nudity at the end of the film.

A short film composed structurally of overlapping time capsules, concerning American language in general, and specifically during the Bush years.

Finding out what is atop a sunbeam.