Joe Gruta

Recognized as the longest and most award-winning drama anthology in the country, Charo Santos-Concio narrates real-life stories of people with well-crafted storylines, excellent performances by its actors, and topnotch production details.

Rafael is a village mayor caught in the murderous crossfire of the Philippine-American War. When U.S. troops occupy his village, Rafael comes under pressure from a tough-as-nails officer to help the Americans in their hunt for Filipino guerilla fighters. But Rafael's brother is the head of the local guerillas, and considers anyone who cooperates with the Americans to be a traitor. Rafael quickly finds himself forced to make the impossible, potentially deadly decisions faced by ordinary civilians in an occupied country.

Julio, a young fisherman from a provincial village, descends into social alienation as he arrives in Manila to search for his loved one.

A neglected and unloved orphan raised by poor relatives in the slums of Manila is wrongfully convicted of murder that resulted from a heist he was compelled to join. Unable to prove his innocence and his minor age, he is thrown into the cruel, perilous and horrifying world of death row where he is introduced to other inmates all awaiting their execution by lethal injection. One of them is a 70-year-old man who detests the jungle of jail and is feared by all the convicts. He would serve as the boy’s protector and savior and in the process touch and shape enormously the violated youth’s life in prison and beyond.

When plain orphan Elsa begins having visions of the Virgin Mary, the rest of the residents of her isolated village find themselves questioning their own beliefs and values. Soon, Elsa is healing people with a variety of ailments. As word of this phenomenon spreads, tourists, pilgrims, patients and a documentary filmmaker all arrive on a quest to partake in the miracle.

After suffering from a vehicular accident, Rosa and her sons transfer to the province. She hopes that the new place will heal the rift between her and her younger son, Rommel. Little does she know that their lives will be at risk when the vengeful ghost of the woman without face threatens them. As she struggles to find a way to end the hauntings, she discovers a truth that will change her life forever.

Spanning from 1971 to 1987, in rural areas under the Marcos regime, a poor farming family struggle to overcome challenges brought on by corruption and greed for power.

The film splits itself between two timelines. In 2006, Ada is basing her thesis on a massacre that occurred twenty years prior in a village called Acacia. Her mother Cecilia was part of a fact-finding mission into a massacre, and Ada’s inquiries bring up her history as a member of the NPA. The other timeline traces the relationship of Ka Felix and Ka Jimmy, two rebels who fall in love, despite the movement’s laws against such a pairing.

In the 1970s, a widow in a remote village takes over her husband’s barber shop. She becomes the laughing stock of the male-dominated community and in the process discovers freedom and liberation.

Three boys are confronted with what they perceive as a challenge to prove their masculinity in a story about sexual awakening. Paul is a show-off whose obnoxious ways mask deep insecurities. Cris is the klutz who tries to please everyone but ends up pleasing no one. And Caloy is the scholarly over-protected son more interested in surfing the net than meeting people. They are out to prove themselves real men but they almost always fall flat on their faces. During an out-of-town school seminar, the trio sees a good chance to finally visit a prostitution house with the three other villains in their lives trying also vainly to thwart their every move by picturing them as bad boys. So Paul, Cris and Caloy enter the red house but, instead of losing their innocence, they uncover the shocking reality that girls forced to work there are minors.

A mentally-challenged guy was put into trial after allegedly raping his teacher. And as Amanda, Julian, and Ronald try to mount a convincing defense, they discover soon that they're all connected in more ways than just the case.

Andie and Ira sincerely think that they are deeply in love and ready to face the world. They attempt to tie the knot and build a life of their own. Their parents are shocked by their children's behavior until they realize their shortcomings led the kids to run away from their boarding school.

A man appears to a female reporter and claims he is the famous kidnapper that has the world astir and promises to turn himself in if she listens to his story. Though she is suspicious of him, she starts to fall more and more into his story.

Amidst the vast sugar plantations of Negros in Southern Philippines, a matriarch lies in the throes of death. Her children rush home to confront the crisis as news of the impending death of their well-loved mother spreads among the community. There, in their ancestral house, the siblings are forced to deal with the issues of inheritance, tradition and the family legacy. It is a familiar tale. After all, every family has its story. And to each one, its own deserved secrets.

The movie Edna is a unique take about real and imagined fears of overseas Filipino workers. Staged in three parts- the film attempts to walk the audience from a thrilling arrival to an astonishing departure.

Crime does not pay, so the adage goes. But feisty and outspoken Rosa (Rosanna Roces)--however sharp-witted--does not know any better. Doggedly out for bigger money, she is quick to rebuff even her lover Dado's (Diether Ocampo) pitch for a new life. What will they risk to succeed? What will they give to taste the sweet pleasure of living peacefully and not running away from law and the syndicate anymore? Will their love for each other endure in the end?

No description available.

In the aftermath of the eruption of Mount Pinatubo, a volcano dormant for more than 400 years, the residents of the whole town of San Simon in Pampanga was engulfed by dust and thick mudflow called lahar. The whole surviving residents of the devastated community are relocated to transitional evacuation center, a tent city, where different and unique personalities meet: Sheila, a migrant worker from Germany who is struggling to keep her family intact at all costs; Sonia who is looking for her missing husband while pretending as a handicapped so she can beg on the streets; Ditas, who returns in Pampanga after getting pregnant in Manila; and Elena, a mother who lost her whole family in the eruption, yet she keeps a positive outlook in life that as long as she remembers her relatives no amount of tragedy could keep her from reminiscing of their once peaceful lives.

Years ago, Tina (Andi Eigenmann) was sent away to the United States to live with her aunt because of an incident involving her parents that has never been explained to her. She moves back to the Philippines into their old home, hoping for a new start. Unfortunately for her, shes not alone in the house. The kitchen is home to a demonic, human-eating refrigerator. Tina must dig into the past to discover the truth about what happened to her parents, and to find a way to defeat the infernal appliance.

Typhoon survivors fall victim to syndicate that forces the to beg on the streets.