Monica Gubser

Heidi, is an eight-year-old Swiss orphan who is given by her aunt to her mountain-dwelling grandfather. She is then stolen back by her aunt from her grandfather to live in the wealthy Sesemann household in Frankfurt, Germany as a companion to Klara, a sheltered, disabled girl in a wheelchair. Heidi is unhappy but makes the best of the situation, always longing for her grandfather.

A detective leaves the force to take over the family business as an undertaker at the same time as he is being investigated for murder. His close encounters with corpses and his earlier police training lead him to see things some of his ex-colleagues miss and he investigates the crimes he encounters in an unofficial capacity often to the dismay of the official police.

A woman confronts her past – and invents her future. Seventy-six-year-old Elise knows exactly how she will spend the final years of her life: living with Paul, to whom she has been happily married for 50 years, in their villa on Zürichberg till her last breath, and tenderly cared for by Angela, their faithful housekeeper. But then Angela is discovered by the theatre and hired for a stage play. Paul hits a man with his '68 Maserati and subsequently becomes friends with him; Elise passionately kisses a young veterinarian.

Sonia’s nightmare is never ending. Her super-rich husband Frederic is now locked in a psychiatric unit after he attempted to kill her. But her mother-in-law continues to make her life hell by controlling her every move. Getting a job at a wellness spa in the mountains comes at just the rights time. However, on arriving, Sonia quickly realises that the villagers are not particularly sympathetic to newcomers and mysterious things begin to happen, all of them strangely connected to the legend of the devil of Milan. But is it just her mind playing tricks on her? DER TEUFEL VON MAILAND is a thriller based on the novel by Swiss author Martin Suter.

His last big journey took him from Stein am Rhein to faraway Japan. Theo Plakoudakis and Marco Salituro had developed the script especially for Mathias Gnädinger. And so the popular actor filled the role of "Big Summer" with a lot of heart: The former wrestling king Anton Sommer is forced by the ten-year-old boy Hiro to accompany him to Japan. Hiro wants to become a sumo wrestler like his father. Zurich-based Stefan Jäger has staged a modern fairy tale that becomes an endearing homage to Mathias Gnädinger. He died on Good Friday 2015.

Centers around four older ladies from the Emmental region. When four older women decide to turn the local corner shop into a chic lingerie store, the whole community is thrown into disarray.

The balance of nature is in danger and only Clara and her friend have the heart to solve the secret of the bears and to break a centuries-old spell.

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Two older women catch each other's eye at their hairdresser's. One is Maya, with a tart tongue and a businesslike air; the other is the softer Charlotte who seems to smile more often. After Charlotte leaves the salon that day, both review the encounter, and memories flood them.

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When Hans looks back, he must say: That was a good life! He saw the world, loved his wife Martha and yes, two, three things went wrong. But that doesn't need to be talked about. And now? Two years ago Martha died, Hans can barely manage his daily routine anymore, and after a visit to the vet his beloved dog Miller doesn't return home. Hans is tired. Basically he can't be bothered anymore. He wants to die. But one doesn't talk about this. At best maybe with Willi, his friend. He trusts in him, he considers him as his ally, who should help him implement his plan...

Childhood friends Gretli and Dora would probably agree wholeheartedly. Every day, they revel in sweet memories of the men in their lives. Former variety dancer Gretli has never forgotten the daring acrobat Alfredo, while well-behaved Dora from Schwamendingen still dreams of the dashing gymnast Fredy – their fling had consequences.

Gertrud (89) has only one thing in mind when she smiles at the man online, even though she has no memory of doing so: to determine the final stages of her life herself before winding up in the dementia ward. But neither her end-of-life therapist or her family nor her suitor can be coaxed into honouring her request.