Ihman Esturco

Emma was once a prostitute. She fell for her client Ben (Julio Diaz) expecting that he will free her from her work. One day, Ben was murdered and the police is trying to solve the case. Who murdered him? But is he really dead or not?

Iliac works in a massage parlor where the gay clients are given more than a shoulder kneading and back rub. When Iliac's father dies he must reconcile his job as a sex worker with the rest of his family.

Amanda and Julian are doing their best to rear their five sons during the repressive dictatorship of Ferdinand Marcos. Though the parents view themselves as apolitical, most of their sons bristle at life under martial law and turn to various forms of activism -- or to simple teenage rebellion -- for release. After the family becomes the victim of extremist violence, Amanda begins to find her own dissident voice.

When asked for her real name, the feisty woman in a rural whorehouse would quip, "Ligaya. It means joy. And that's what I sell." Yet the small-town prostitute is not resigned that she would be in the flesh trade forever. She still harbors the dream of getting out of the job someday. She saves money and fancies that someone would come and marry her as if she were clean and never been a whore. That becomes almost a reality when a hardworking farmer enters her life. Under some problematic circumstances, her chances get blown away-but not exactly of her sole doing.

Mang Rudy, the widowed woodcarver, wields an iron hand over his three daughters: the fun-loving but rebellious Grace, the youngest, who goes through the throes of adjusting to married life; the feisty and headstrong Lourdes, the middle daughter, who succumbs to an extra-marital affair; and the subservient and discriminated on eldest, Jess, a lesbian who brings home her girlfriend to take care of the father after he succumbs to a heart attack.

Crime does not pay, so the adage goes. But feisty and outspoken Rosa (Rosanna Roces)--however sharp-witted--does not know any better. Doggedly out for bigger money, she is quick to rebuff even her lover Dado's (Diether Ocampo) pitch for a new life. What will they risk to succeed? What will they give to taste the sweet pleasure of living peacefully and not running away from law and the syndicate anymore? Will their love for each other endure in the end?

A mining engineer (Andre Soriano) who is having marital problems with his wife of Indian descent played by Mara Altiera. The two have a son (Peter Lacana) who is afflicted with a learning disability. The husband decides to set up the wife with one of the workers at camp (Jamil Basa) who also stays in the house—an act that eventually leads to a ménage a trois.

Abandoned by his wife, Mitch finds respite from his depression by spying on his beautiful new neighbor, Jack. Before long, the pair becomes intimately acquainted. But trouble lies ahead: it seems that Jack's lover has ties to Manila's underworld, and Mitch soon finds himself in grave danger.

A bereaved wife searches for her lost husband, only to be found with no memory of her and a new woman in his life.

No description available.

Gay bars. Hideout of homosexuals. Secret paradise for the third sex. Playground for the wild at heart. Sanctuary for the brokenhearted. Gay bars have been the subject of many in the movies, television, literature and other media and art forms. Many have succeeded in presenting it to an audience but most of the time, they are almost always romanticized depictions of a world few understand. Of people known as Stardancers.