Cindy Sherman

A Baltimore teenager who picks up a second-hand camera starts snapping his way to stardom, soon turning into a nationwide sensation, with a fateful choice between his life and his art.

When Dorine Douglas' job as proofreader for Constant Consumer magazine is turned into an at-home position during a downsizing, she doesn't know how to cope. But after accidentally killing one of her co-workers, she discovers that murder can quench the loneliness of her home life, as a macabre office place forms in her basement, populated by dead co-workers.

Over 30 filmmakers and friends of Strand Releasing have come together to honor the company’s indelible contribution to independent cinema over the past thirty years. The participating filmmakers have each created a short film for the project, all shot on iPhones.

New York based artist, Cindy Sherman, is famous for her photographs of women in which she is not only the photographer, but also the subject. She has contributed her own footage to the programme by recording her studio and herself at work with her Hi-8 video camera. It reveals a range of unexpected sources from visceral horror to medical catalogues and exploitation movies, and explores her real interests and enthusiasms. She shows an intuitive and often humorous approach to her work, and reflects on the themes of her work since the late 1970s. She talks about her pivotal series known as the `Sex Pictures' in which she addresses the theme of sexuality in the light of AIDS and the arts censorship debate in the United States.

Cindy Sherman is one of the world’s leading contemporary artists. She is also notoriously elusive. So, it is a coup for Arena to get this in-depth and revealing audio interview with her. An exuberant weave of art and archive gives us a rare insight into one of the most influential artists alive today.

The Feature does not reconcile fact and fiction; instead, it blurs the definitions seemingly represented by the film’s two clearly demarcated registers: that of the archival footage and that of the new, theatrical material. In his guise as “Michel Auder,” living a fulsome and extravagant life, replete with beautiful women and a rock-cut pool overlooking Los Angeles, the art world is revealed as a sham, and his character exhibits a repulsive narcissism. And yet, when caught in quiet moments, something poignant emerges—a glimmer of truth that rebels against the entire endeavour. Or maybe, that’s what makes The Feature.

One of the First Cindy Sherman's super-8 film,"Doll Clothes" (officially, the film is "Untitled") has not been viewed since 1975, the year it was made. It comically crosses Duchamp's Nude Descending a Staircase with animated paper dolls in a sly, funny and clever precursor to the concerns that became signature elements in Sherman's remarkable body of photographic work.

Two Moon July was a multidisciplinary event that featured experimental video, film, visual art, performance and music in a theatrical framework. More than thirty artists participated in the program, which was produced for the Kitchen by Carlota Schoolman and directed by Tom Bowes.

A woman connects with her blind pet dove.

A prostitute waits in vain for a client.

A close-up of a woman mouthing the words "I hate you" with increasing intensity.

Roberta Smith and Jerry Saltz are both rockstars in the world of art criticism. They’re also madly in love. Reflecting on their relationship, careers, and the ever-evolving New York City art scene, this unlikely power couple invites us into their surprisingly humble world.

Rufus Wainwright staged a special performance of his traveling contemporary opera Prima Donna at the Odeon of Herodes Atticus, Athens on September 15, 2015. The opera featured a new film accompaniment directed by Francesco Vezzoli and starring Cindy Sherman as an aging soprano who hopes to pull off a comeback performance in Paris on Bastille Day. In the film, Sherman performs against the backdrop of the Théâtre des Variétés, Paris, in costumes originally worn by legendary soprano Maria Callas.