Directing
Edward Popielski, a Polish detective, who suffers from photogenic epilepsy, which helps him track down criminals.
Trying to recover from the nearly marriage-breaking stress following the death of their child, Jack and Stephanie spontaneously take off on a road trip. But when their car breaks down in a remote area, they find themselves in a horrific nightmare. Seeking shelter in a house, they soon realize that more danger lurks inside than outside in this spine-chiller based on Ted Dekker and Frank Peretti's best-seller.
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Following the death of his mother in '80s Poland, 12-year-old Wojciech has taken the brunt of his stressed father's frustrations with him; the boy frequently gets punished via belt. Wojciech's father occasionally tries to, instead, bond with him, but soon snaps back to his short-fused habits. Apart from Wojciech's friend Bartek, no one does anything to help. Jump to present day, Wojciech is a furrow-browed journalist who spends most of his spare time spelunking alone. Just like his father, he has serious anger management issues. Fellow caver Tania feels inexplicably attracted to him, but the love of a good woman may not be enough.
The emotional inertia and chaos affecting a narcoleptic woman, a fatally ill writer and a gay doctor, and their attempts to escape from their dead-end situations.
The film tells the story of two Highlander brothers – Maciek and Andrzej. After the death of their father, which Andrzej contributed to, and the loss of his beloved Bronka, Andrzej leaves the family home. On his way, he meets the mysterious Wolfram, an anthropologist and climber. He shares with him his mountaineering technique and knowledge about the Prague origins of the highlanders. Andrzej returns to Zakopane, war breaks out. To protect the Highlanders from wartime destruction, he wants to persuade them to cooperate with the Germans. Andrzej and Maciek are standing on opposite sides of the barricade. The brothers' confrontation is bloody and painful.
The stories of boys imprisoned for theft, robbery, and murder are intertwined with excerpts from religion classes, during which a priest discusses the Ten Commandments. Against the backdrop of a conversation about duties and universal norms derived from the Decalogue, a picture of the lives of these teenage criminals in freedom emerges. Theft, robbery, alcohol, and drugs are their everyday reality. They attack elderly people and men in their prime, usually working in groups to increase their chances of success.
A reporter, Alicja Tabor, after many years returns to her hometown of Wałbrzych to write a report about kidnapped children and also to face her own dark family history.
For decades the photographer Krzysztof Gierłatowski has portrayed eminent Polish figures, thus creating an invaluable visual testimony. This time his "victims" are well-known citizens of Kraków: Stanisław Lem, one of the most brilliant, versatile, and unapologetically cerebral science fiction writers, author of 'Solaris'; Krzysztof Penderecki, one of the most esteemed and widely discussed Polish composers of the 20th century; and Wisława Szymborska, Nobel laureate in Literature in 1996, one of the few women poets who has received the Swedish prize. Gierłatowski assumes the role of a modern Stańczyk, a legendary thinker-jester, prophesying on the historical Polish Republic in his dramatic conviction that History annihilated the intellectual elite of his nation and the future will bring awe and destruction.
Part of the television series "Decalogue...After The Decalogue" is a prankish take on the Bible's fifth commandment "Honor thy father and thy mother"
37-year-old Marta gets married and wants to have a baby. But her toxic relationship with overbearing mother complicates her life in many ways.
Marcin Koszałka returns in this film to a forgotten genre, namely a mountain film. The protagonist of his story is Piotr ‘Mad' Korczak, while somewhere in the background there is his rival Andrzej Marcisz. The director focuses on the career decline of a great master, provoking his reflection on his future life, when he will no longer be able to climb mountains. A moving story about inability to come to terms with old age and the desire of immortality.
A story about women, set in the present and in 1950s Warsaw. Sabina, a quiet, shy woman who has just turned thirty lacks a man in her life. Her mother knows all about it and tries at all costs to find her daughter a good candidate for a husband. The whole situation is controlled by the grandmother, an eccentric lady with a sharp tongue from whom no secrets can be kept.
Get an inside look into the Polish national soccer team as it competes in the EURO 2012, which was hosted by Poland for the first time in history.
A film about emotional boundaries, both individual and relationship-related.Two women and one man create erotic spectacle which reveals their involvement and loneliness resulting from getting lost in their relationship.
A journalist from Warsaw travels to Silesia and manages to find a tenement house full of exceptional inhabitants.
A solitary mountain man finds a young woman who has been beaten and abandoned in the woods. He makes her the object of his passion, but her dark past catches up on them.
Karol, an ordinary young man, runs into a much older man, whom he believes to be a Red Spider, the terrifying serial killer, prowling the streets of Cracow in 1960s. Karol becomes obsessed with the man and spies on him.
They spend part of their lives there. Each of the women staying there has a separate story—usually long and complicated. They all dream of freedom, men, and a new life. But for now, this cell is their whole world.
Bogdan Dziworski returns after twenty-five years of artistic silence with an extremely personal story, which is a diary of the artist's trip to Georgia. Plus Minus or Fly's Travels to the East is a phantasmagorical story about the cult of Joseph Stalin, a figure special to Dziworski's childhood. It's been a long time since I made the decision to visit the commander's hometowns," we hear the protagonist comment from behind the frame.
