Pablo Fernández

Lidia is a responsible and dedicated maid for a hugely wealthy, elderly Tijuana matron who loves only her pet whippet. Rafael is a quiet and dignified janitor who buys a new pair of shoes to celebrate his imminent retirement from the large corporate facility where he's worked for 30 years. When Lidia's boss dies, leaving everything to her dog, and Rafael's plans get derailed, they both turn to criminal subterfuge to get what their harsh lot in life has denied them.

During a carnival, near the border between Argentina and Bolivia, a young Malambo dancer prepares for the most important competition of his life. When his ex-felon father returns, he jeopardizes everything by dragging his son into the criminal world.

Five elderly men form a music group and run away from the nursing home where they are interns with the hope of playing for an audience. They confront th city, the nursing home authorities, the police and all those who wish to destroy their dream which finally comes true when they are contracted to serve as musical background for strippers of a second class cabaret. In case i never see you again, is a movie about life, death, melancholy and the quest for happiness.

Three Spanish conquistadors, Captain Diego de Ordaz, Gonzalo and Pedro, march to the summit of the great volcano Popocatepetl.

The movie is about a candidate for mayor of Madrid who is immersed in a huge mess during the pre-election night, when a body needs to be disappeared.

According to the International Institute for Strategic Studies, Mexico became one of the deadliest conflict zones in the world in 2017, second only to Syria. In 2008, the Mexican government sent the army to Chihuahua on the Mexico-Texas border to fight drug traffickers. What seemed like an attempt to control the cartels turned into state-sponsored disappearances and the murder of journalists, human rights activists and civilians. The survivors and those threatened by the conflict pushed at the unwelcoming border of the United States, hoping for asylum. With stunning visual poetry, director Marcela Arteaga weaves together a record of their memories told over the backdrop of the once-vibrant landscape of the Juarez Valley. She also highlights the extraordinary work of Carlos Spector, an immigration lawyer born in El Paso, Texas, who fights to obtain political asylum for those Mexicans fleeing violence.

No description available.

Rita Patiño, an indigenous woman from Mexico, was found by a human rights organization inside a Kansas psychiatric hospital, where she had been involuntarily confined, for 12 years, despite the fact that the hospital authorities were never able to determine who was this woman, where did she come from, or what language she spoke. After the consequences of confinement and medical negligence, Rita returned to Mexico, where she lives with Juanita, her niece, and primary caregiver, in a context of precarious economic possibilities. A moving portrait of the lives of these two Tarahumara women, questioning the multiple forms of racism and discrimination that indigenous women in Mexico and the United States face.

A trip along the 1,300 km long Peninsula of Baja California in Mexico, in which we discover a mythological and magical land, with its own time and Characters. In this film the past, the present and the future are interwined to create a beautiful and unique symphony of the nature, the history and people of the Baja.

Through the story of three cyclists, we will learn about the struggle and vicissitudes of getting around by bicycle in one of the largest, most polluted and overpopulated cities in the world.

The legal and illegal status of immigrants and the discrimination endured by a segment whom are only looking to a better way of life.

A feature-length documentary that delves into the life of an old spinster who, by convention, must be called señorita. Bound by rigid moral and family precepts, well-born ladies do not usually tell intimacies. However, the virgin - as the people of Xalapa have always called her - has agreed to confess and show her personal refuge, marked by solitude and the daily fulfillment of a sacrificial ritual.

Youri Orekhoff revisits the masterpiece of Max Ophuls's masterpiece, Lola Montès, in a single minute of animation.