Joaquín Jordá

No description available.

Mario starts working as a pianist in a party hall in Palma de Mallorca, where he finds two girls, an old pupil, and Clara, who will get to conquer him.

The inhabitants of Las Caldas, a village in Asturias, in northern Spain, whose life revolves around a sumptuous spa, trace complicated personal relationships while the whole country is inexorably heading towards revolution and civil war.

The film describes the scandal of pederastria that exploded in the neighborhood of the Raval of Barcelona and the trial that took place some years afterwards. Jordà analyzes the mechanisms of the justice and of the world of the medias.

Young José María goes through a painful journey until he discovers that he is a transsexual.

A 30-year-old actress named María struggles with deep-seated dissatisfaction and emotional emptiness within her marriage. Seeking a remedy for her existential restlessness, she attempts to reconnect with a former lover. Her journey of self-discovery unfolds across the modernist architecture of Barcelona.

A drug has been discovered, Liberxina 90, which will erase "establishment" conditioning from the human mind. It has fallen into the hands of some diversely anarchistic revolutionaries who spend most of the film discussing how and whether to use it; should they wait for the forces of "history" to undermine society or speed things up using the drug? They are finally forced into action by the police who are, somewhat ineptly, hunting them down.

The new coach of the basketball team of Lugo arrives from Uruguay. He really knows nothing about training a basketball team so he keeps the previous coach on and in the meantime tries to learn from videos and books, but his real reason for coming to Spain was to find out about an old lost love.

Documentary by Joaquím Jordá, part of the Barcelona School.

Monica, a wife and mother, is dissatisfied with his routine, conventional life. Her husband, Pablo, decides that the best thing for her and her children is to spend the summer in Cadaqués.

Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.

A French writer documents the seductive power of the beautiful Carmen, who has enchanted José, a young soldier, awakening his most fervent passions leading to tragedy. A path chained to obsession, jealousy, betrayal, and blood.

MORIR DE DIA writes history from the Transition to the present day through one of its hidden faces: heroin. The stories of characters like Pau Malvido, Mercè Pastor, Pepe Sales or Juanjo Voltes are intertwined to draw the challenges of a chosen life, marked by addiction, from the entry of drugs in Barcelona after Franco's death to the present.

Joaquim Jorda's and Gianni Toti's short film

No description available.

A group of rich businessmen and military officers who are partying in an old castle are spared when a nuclear war ravages the earth. When they venture out into the nearest town to search for food and supplies, they find most of the residents blinded, and soon they discover the existence of a sinister group called The People Who Own The Dark.

In Spain of the 1960s, a poor family of quinquis - a nomadic ethnic group with a tradition as old as that of the gypsises of Spain but with even more obscure origins - have a nomadic life marked by poverty. The son, Eleuterio Sánchez Rodriguez, nicknamed "El Lute", steals some chickens and is condemned to six months in jail. El Lute moves to the slum outskirts of Madrid with his common law wife, Chelo, starting an itinerant life as a peddler of pots and pans and living in a quinqui shantytown. He gradually embarks upon as life of petty criminality, eventually participating in the theft of a jewelry store during which a bystander is killed.

Filmed on the Day of the Dead at Madrid's Almudena cemetery. Leaving the grounds, the police intercepted the producers. Part of their recordings was purposely blurred so as to not be used against those filmed on the grounds. The censorship defined this short film as "a nauseating movie."

In the fall of 1824 Javier Montenegro, Bradomin Marquis is spared death hanging by Captain Casares, and in return, the Marquis agrees to help him escape to America. Adaptation of "Sonata de Otoño" and "Sonata de Estío" of Ramón María del Valle-Inclan, which included elements Bardem later works of the author.

After of living in France for fifteen years, Lucas, a journalist with a dark past, returns to Bilbao, his hometown. He begins an intense romance with a young woman, but a series of circumstances will make the intimacy of the couple almost impossible.