Writing
Natalie Bourget, an American living in Paris, is married against her will to Jean Bourget, the brutal leader of the Paris "Apache" underworld. At a cabaret, Jean compels Natalie to perform an Apache dance, during which Harrison Forbes and his American mistress, Helen Armstrong, notice Natalie's strong resemblance to Helen.
Two ex-cons plan to kill the range rider marshal who sent them to prison and, when their plan fails, join forces with their former boss, a crooked saloon owner who has the same idea.
"Moose" Rambo is killed by an unknown assailant during a barroom brawl, and Belleau is wrongfully accused of the crime. Sergeant McKenna of the Northwest Mounted Police is detailed to go after him, and Constable Fitzgerald, who saw Belleau on the night of the murder, is struck by the resemblance between Belleau and McKenna. Believing them to be the same man, Fitzgerald confides his suspicions to the chief and is detailed to pursue McKenna.
In order to avoid the hangman's noose, a cowboy agrees to marry a beautiful but fiery redhead.
The Johnny Mack Brown West of Wyoming concerns the efforts by cattle baron Simon (Stanley Andrews) to prevent the opening up of the rang to homesteaders. Government agent Brown comes calling when Simon begins resorting to cold-blooded murder. The leading lady is Gail Davis, a few years shy of her Annie Oakley TV stardom. Surprisingly, West of Wyoming contains none of the comedy relief that had characterized earlier Johnny Mack Brown oaters.
A jealous trapeze star decides he must eliminate his romantic rival.
A cowboy and a beautiful girl inherit a supposedly haunted gold mine.
After the death of her sewing machine tycoon husband, a young woman is cold-shouldered by her grasping in-laws. She heads to New York City and meets a man, falls in love and gets married. Unknown to her, her new husband is after what he thinks to be her fortune, in revenge for the theft of his father's patents that made the sewing machine profits. Discovering that she is in fact penniless, they both reconcile.
A criminal gang is after a rich man's money. A female member of the gang gets the bright idea of getting him to marry her, then getting a healthy settlement after a quick divorce.
A young fighter, Bill Hickey, achieves success through the help and support of his friends and, once he does, he gets a big case of 'swellhead.' And then he loses his friends, loses his girl-friend, loses his confidence and is all set-up to lose his title.
A wealthy recluse dies in her New York mansion, leaving an estate worth $50 million. Shortly after, various people turn up claiming to be the rightful heir to her fortune.
The story concerns a rivalry between two ranch owners in a boundary dispute.
Reporter Dan Collins tries to expose a crooked gambling ring, but is waylaid by Geraldine Sloane, a feisty young heiress who feels Collins has insulted her. To get revenge , she disguises herself and gets a job at Collins' paper, where she manages to throw his crusade against the gamblers into disarray.
The interconnected lives of the residents living in a bungalow court. As the neighbors interact, their personal dramas, secrets, and romantic entanglements heavily intertwine. The central conflict of the story revolves around the residents' collective struggle against the court's mean, nasty, and spiteful landlord, whose overbearing presence and malicious actions disrupt their lives and force them into unexpected alliances.
Vivid tale of love in Tin Pan Alley.
Set on the Mexican border in 1850, Bad Men of the Border was the first of seven Universal Westerns starring handsome Kirby Grant, a former singer from Montana who had earlier acted under the name Robert Stanton. The series, Universal's last attempt at competing with Republic Pictures' many streamlined B-Westerns, also featured the bucolic Fuzzy Knight as Grant's sidekick. Grant and Knight are undercover U.S. marshals tracking down a gang of counterfeiters. To their surprise, they are soon assisted by a beautiful Mexican dancehall performer, Dolores Mendoza (Armida), who proves to be an undercover agent as well, in her case for the Mexican rurales headed by Captain Garcia (Francis McDonald).
Denny breaks up with his fiancée Jean to marries wealthy Flora. When Jean is fired from her job she decides to market the face cream she invented. After sending it to twelve rich woman, only Flora decides to invest in the business. As Denny has no job, the girls give him an office at the factory. The business takes off, but Jean finds that she is still in love with Denny and Denny seems to forget he is married to Flora.
When Ranger Raymond is killed during a stage holdup, Wells Fargo Agent Whip Wilson assumes his identity.
Bill Crane is a fun-loving cowboy who likes to play pranks with an Australian bull-whip, much to the dismay of his ranch-owning uncle, Pete Perry. Bill and his cousin, Jack Perry, compete for the affections of Mary Pinkleby. Jack, unknown to Bill, is also an outlaw gang-leader, known as Poncho. The latter frames Bill as being the gang leader, and now Bill has to elude the sheriff and also prove his own innocence.
Ma Turner of Red Bluff sends for U.S.Marshal Buck Roberts to investigate a series of wide-spread rustling in the area. Town banker Miller, saloon-owner Duke Mason and the crooked sheriff are in cahoots with rancher John Holt, but they double-cross and kill him. His son Steve witnesses the murder and kills the sheriff. Buck arrives and arrests Steve. Marshal Tim McCall, posing as an outlaw, gains the confidence of the gang and engineers the escape, with Buck's knowledge, of Steve from the jail. Sandy Hopkins, the third Marshal of the trio, poses as a peddler and learns that the gang intends to do away with Buck and rides to the Turner ranch to warn him. Red, a Turner ranch hand but also a member of the gang, overhears Buck telling Ma that Tim is really a U.S. Marshal, and he has Miller and Mason informed. Written by Les Adams
