Lazar Stojanović

The Scorpions were a Serbian paramilitary unit that gained notoriety for their involvement in war crimes during the Yugoslav Wars of the 1990s. By using the statements of former members of the Scorpions unit, and the materials recorded by the unit itself in the course of its campaignes, this film demonstrates the functioning of a typical combat unit organized by the security service to do dirty jobs in the Balkan wars. Including their treatment of Bosnian Serbs; from refusing them water to the stomach-wrenching murders of six Bosnian Muslim men, some of whom were minors, in Srebrenica in July 1995. Archival footage used in this film includes materials of Humanitarian Law Center, International Criminal Tribunal for Former Yugoslavia.

The story behind and around famous American director Nicholas Ray's 1960s stay in SFR Yugoslavia. The celebrated director who was the toast of Hollywood only a decade earlier having made Rebel Without a Cause has fallen on hard times and is now desperately trying to re-establish his spiraling film career. On the other hand, his powerful host, Avala Film director and former Yugoslav secret service operative Ratko Dražević, is dreaming big dreams - he is trying to establish a 'Hollywood behind the Iron Curtain' of sorts.

Through the conversation with Yugoslav film authors and excerpts from their films, this documentary film tells a story of a film phenomenon and censorship, and its focus is, in fact, a painful epoch of Yugoslav film called “a Black Wave”, which was the most important and artistically strongest period of Yugoslav film industry, created in the sixties and buried in the early seventies by means of ideological and political decisions. The film tells a great “thriller” story of the ideological madness which characterised the totalitarian psychology having left multiple consequences felt up to our very days. It stresses similarities between totalitarian regimes defending their taboos on the example of the persecution of the most important Yugoslav film authors. Those film authors have, however, made world careers and inspired many later authors. The film is the beginning of a debt pay-off to the most significant Yugoslav film authors.

A mixture of documentary and fiction examines the new god of Capitalism offered to the Serbs with the ending of state socialism. We look at a number of strikes in Belgrade during the late 2000s and these introduce us to several characters playing themselves. Employees dressed in American football helmets and pads square up with employers' heavies in their bullet-proof vests, resulting in explosive situations. A visit from the Russian tycoon's representative and vice president Joe Biden's arrival further complicates the proceedings.

Tom is a young guy from Zagreb, completely without money, trying to make films in Belgrade. He somehow manages to survive with a help of women. He doesn't believe in anybody, respects no one and is in constant conflict with the ruling system and order. After being left by a silly American girl, Tom binds with a woman whose husband is abroad. When she kicks him out, he moves in with her husband's sister, who later kills him in the attack of jealousy. All this is shown in the context of major historical events prior to 1968. with lots of archive footage of world leaders.

Zagreb in 1942. The police blocks on of the houses while looking for one of the communist officials hiding in the apartment of young female illegal fighter. Them two manage to escape, however police kills her husband. In the house, her small baby is left, which police wants to use as a bait so they could catch them. Children who live in the neighborhood steal the baby, upon which the police starts thorough search of the house.

Biography and secret life of war criminal Radovan Karadzic, the leader of Bosnian Serbs.