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Mukhram Sharma

Writing

Known For

Lagan
10.0

Burma-based widow, Parvati, along with two sons, Prem and Rajesh, re-locates to Bombay to live with her late husband's friend and widower, Sewakram, and his two daughters, Shanti and Durga. He returns some cash and jewelery to her that was entrusted to him, and she re-locates to live in a big bungalow. Shortly thereafter, Prem and Rajesh get married to Shanti and Durga respectively. The entire family live harmoniously until Parvati is told by Mrs. Pereira that Prem has been physically abusing his pregnant wife. Parvati and Rajesh undertake to rein-in Prem - and it this overture that will not only shatter their idyllic lifestyle but force both brothers to take up arms against each other.

Lagan

1971
Do Kaliyan
7.0

Proud, wealthy, and haughty Kiran meets with down-to-earth middle-class fellow collegian, Shekhar, and after several clashes and misunderstandings, both fall in love and decide to get married. Shekhar meets with Kiran's dominating mom and mousy dad, and is told that he must successfully pass a test that will be put to him through Kiran's mom, to which he agrees.

Do Kaliyan

1968
Humjoli
5.7

A man, after marrying an heiress, plots his wife's murder and deserts his daughter, only to be shocked when his estranged daughter returns home years later.

Humjoli

1970
Patanga
8.0

A wealthy man decides to marry a woman who is in love with his employee's son.

Patanga

1971
Diwana
9.3

Meet Pyarelal, a simple-minded, naive young man, orphaned at birth, living with a Muslim landlady, Fatima, who treats him like her son. When the police arrest Pyarelal on the charge of murder, no one really believes that this harmless man could harm anyone, leave alone kill. Their belief is shattered when Pyarelal openly admits in Court that he has indeed committed this crime, and demands capital punishment for it.

Diwana

1967
Dhool Ka Phool
5.8

The story of an abandoned Hindu child who is found and raised by a Muslim man.

Dhool Ka Phool

1959
Sadhna
4.0

Mohan lives a middle-class life with his ailing mother, and works as a college professor. His mother would like him to get married, but he asks her to be patient as he awaits his probationary period to end at the college. At the college he lectures his students about Vasantsena, the evils of prostitution and his personal hatred of courtesans, who sell their lives for money. Things take a turn for the worse, when his mother suddenly collapses, loses consciousness, and is not expected to live long. The only way he can bring peace to his dying mother is to get married. His neighbor, Jeevan Ram, agrees to find a woman who will pose as a wife for a fee, and introduces him to a woman named Rajni, who is then introduced to his mother.

Sadhna

1958
Gharana
6.3

A mother and daughter create bitterness, hatred, acrimony and discord in a wealthy family.

Gharana

1961
Pyaar Kiya To Darna Kya
9.0

Rich man's son Rajesh loves Savita, daughter of a teacher he got fired. She helps him excel in college. They marry against his father's wishes. Their friend Jivan creates problems between them, leading to separation.

Pyaar Kiya To Darna Kya

1963
Pyar Ki Pyas
8.0

Geeta, a five-year old orphan of Seva-Kunj, gets adopted by wealthy Asha and Ashok Gupta, believes them to be her missing birth parents, and moves in with them in their palatial house.

Pyar Ki Pyas

1961
Atithee
7.0

Navendhu Kumar lives a poor lifestyle with his handicapped father, Mohan, housewife mom, two unmarried sisters, Leela and Rajni, a younger brother, Kundan, and a sweetheart in Meena. He works for Avinash Gupta, however, when differences occur, he is framed by Gupta for breaking and entering, arrested by the police, tried in Court, and exiled from the town for a period of 12 months. After he leaves, the family is almost destitute and are exploited by Gupta. Then some months later, a young man, Anand, comes to visit them, informing them that Navendhu has sent him. He gives them some money for day to day expenses, gets some clothes for everyone, and a wheelchair for Mohan. He arranges the marriage of Rajni with her boyfriend, Ajay, despite strong opposition from Gupta, and falls in love with Leela. What the Kumar family do not know is that Anand is a fugitive on the run from the police in Bombay, and he harbors a dark secret that will change their lives forever.

Atithee

1978
Sweekar Kiya Maine
5.9

Gopika Sharma lives a middle-classed lifestyle along with her widowed mother in Bangalore. She expresses a desire to sing and is encouraged by her maternal uncle, Dubey, who takes her with him to Bombay along with her maid, Lajjo. Once there, they are molested and Dubey goes missing. They then attempt to find a decent place to live, and after many frustrations make an agreement with a single male, Kishankumar Shukla, who poses as Gopika's husband, and move into an apartment owned by Lala Dhaniram.

Sweekar Kiya Maine

1983
Samadhi
7.3

Lakah Singh gives his life of a Dacoit and lives a happy life with his wife Champa when his son Jaswant becomes three years old, Champa becomes ill with cancer and circumstances force him to be again a Dacoit.

Samadhi

1972
Talaaq
8.0

School-teacher Indu lives a middle-class lifestyle along with her widower and unemployed dad, Moolchand Chabbe. They rent the upper floor of the building and her dad makes it his duty to prevent anyone from occupying the lower floor so as not to tamper with the flow of the municipal water pipe-line. Ravi Shankar Chaube, a Poet and an Engineer by profession succeeds in renting the lower floor, impresses Indu so much so that she falls in love with him, and with Moolchand's conditional blessing that he live with them as a Ghar Jamai, both get married. Indu quits her job, and after sometime they become parents of a boy and name him Ashoo. Four years later differences surface as Moolchand spends a lot of Ravi's hard-earned money gambling.

Talaaq

1958
Aulad
10.0

A poignant family drama that explores the sacrifices, burdens, and profound emotional ties of parenthood, revolving around the central theme of a couple's complex relationship with their offspring.

Aulad

1954
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N/A

No description available.

Manamulla Maruthaaram

1958