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The adventures of an irreverent private detective, while he is dealing with economic problems.
Stories centered around the last hours of someone's life. Each episode takes place in one place and with no more than three or four characters.
The life of a family from a working-class neighborhood, that after the success of their car wash business, they move to an apartment in the wealthiest neighborhood in the country.
This was a man. He lived with his mother. He cared a manor house in the countryside of Chile. One day the man found a bone in the garden. The bone was bored. That was a bone flute. The man with the flute music play. And music song became. The voice of the song begging to seek the other bones of his scattered body. The man and his mother were in those ways of God and hell, looking for the bones that make up the skeleton of that Christian. And give him a Christian burial. And they saw what they saw, they lived what they lived. Many stories lived. And although they did not tell anyone, others told them.
The film is based on the novel (of the same name) by the Chilean writer Francisco Coloane, and on the chronicles of the Romanian engineer Julius Popper, a nationalized Argentine and one of the principle actors in the genocide of the Selk'nam, one of the indigenous peoples who inhabited the Tierra del Fuego Archipelago.
"L'Escale", a small Latin American cabaret on rue Monsieur Le Prince in Paris, welcomed people of all nationalities in a festive and committed atmosphere during the 1960s. They shared their dreams and their music there for entire nights. While he was writing his second book, Gabriel García Márquez even played maracas there… In Antoine Sextier's documentary, the last witnesses of this era look back on this golden age of Latin American music in France. A golden age that allowed them to fulfill their Bolivarian dream: to unite Latin America through music.
Known for their ranching abilities and their endurance under extreme weather conditions, both Joaquín and Victor leave their families behind to pursue their dreams of earning enough money to buy land of their own back in Chile.
In 1985, exiled director Miguel Littín secretly reentered Chile to film this sweeping documentary portrait of the country under the dictatorship of Augusto Pinochet. Shot clandestinely and later released as a four-part television series, the film combines interviews, historical reflection, and on-the-ground footage to examine Chile’s political climate more than a decade after the 1973 coup.
In a violent city where a man succumbs to the loneliness and delirium of his unfulfilled desires. He wishes to belong somewhere. And the only way to achieve this goal is projecting in his own mind another version of himself, a "second man", someone -who will be accepted.
Nieves has murdered the man who was tried to rape his younger brother. Sentenced to five years in prison, she is immersed in a hard and marginal world, she does yearns to one day being released and fulfill her lifelong dream: to know the flowery desert in northern Chile. When an oversight of her captors allows her to flee, her dreams will have to wait still. She dedicates herself to managing a nightclub where her former jailmates prostitute themselves.
After 20 years of exile, Aron returns to Chile to find out who he is. He asks questions, not only of those who stayed behind but also of himself, examining his relationship with his past and his own memory. The people who stayed lived through 20 years of dictatorship. They were either victims or executioners. Amidst this wreckage, Aron wonders what name his brother is using now, where his father is... Can he, in Isol's arms and through her love, find his way again ? What future awaits him? Like Mola the torturer, he has returned from an impossible journey, and Aron knows that each man is his own executioner. Shipwreck and resurrection are the two facets of a complex truth.
The film is about Eloy, a Chilean bandit and companion of Joaquín Murieta, who is wanted by the justice system on the border with Argentina. Although an escape seems impossible, in desperation he flees without a fixed destination.
An experimental four-part 2002 Franco-Chilean digital video series written and directed by Raúl Ruiz. The first part won a FIPRESCI Award at the Montreal World Film Festival in 2002 "for the director's personal exploration into his homeland, using DV in a rigorous yet playful manner".
A documentary revolving around the 1972 crash of the plane carrying an Uruguayan rugby team; interviews with survivors and the families of victims.
