Mario Guerrero

The Mexico City Metropolitan Train has many stories to tell: from archaeological findings during its construction, its underground museums and hospitals, and even its patents and special maintenance services. These are some of their stories.

The love of his life hates kids. So when his 9-year-old daughter suggests she pretend to be his sister... what could go wrong?

The life and times of the mexican pianist Julieta García Rello, as told by her granddaughter.

A group of taxi drivers try to reanimate a young woman who has been close to being run over by one of them. To improve her mood all of them tell her curious anecdotes featured by peculiar customers

Four stories about the arts of not getting married. Alfredo Landa performs the roles of a lawyer who has just finished his military service, a young marquis on his wedding day, a flirt and a soldier who deals with three girls at the same time.

Singer Eugenia León gives her own interpretation of Mexican cinema in her album Cine, a musical review from Santa composed by Agustín Lara for his first musical to a theme from the recent film Espiral. Her exceptional voice and the collaboration of groups and soloists offer a new version of classical and contemporary songs.

Stranded on a desolate road, a man ventures into the unforgiving desert in search of help. As the scorching heat and relentless thirst take their toll, he begins to see mirages that blur the line between illusion and reality. The desert, like a living, breathing force, twists his perception, drawing him deeper into a maze of illusions that feel hauntingly real. As he fights to maintain his grip on reality, he realizes that the true danger may not be the desert itself, but the shadows it casts within his mind.

After a tragic loss, Ivan becomes obsessed with the personality of the elephants, which they say, never forget.

Ana is running away from her hometown while Mar, an old acquaintance of hers, is coming back after a long absence. They find each other in the middle of the road and through the night, they make a journey amongst their fears to find out that still waters run deep.

Román has decided to leave his native town, but first he must say goodbye to Paloma.

Ramona is 84, and she has announced that she is ready to die. While her family is making the preparations, however, she changes her mind.

The memory and testimony of two characters: Fernando García, known as Pinolito, who was a child actor in the seventies and Doña Lilia Ortega, his mother, an actress. Fernando came out as a transvestite, some years ago, and now calls himself Coral Bonelli. They live together in Garibaldi yearning for their past in the movies, while Coral bravely comes to terms with her gender identity. They both still perform.

Ernesto has found a peculiar way to meet people and earn a living: provoking car accidents.

Ángel and Isabel meet briefly in the city subway, and establish a brief relationship that will make them take a decisive turn in their lives.

Jacobo is fascinated by fairy tales. Convinced that a witch has appeared in the basement of his own house, he tries to destroy her, only to discover that reality is sometimes crueler than the fantasy.

A film by Mario Guerrero