Miralem Zupčević

Sarajevo 1944. The German armies desperately need fuel in the retreat. Walter, the enigmatic and charismatic leader of the resistance movement, can endanger their supplies. The Germans are taking a cunning plan to remove that obstacle.

In April 1941 Germans occupied Zagreb, the capital of Croatia, and installed a Quisling government. This series, partly based on true events and persons and partly on fiction, covers the activities of the Resistance movement, led by Communists.

The story of a forced march of the first proletarian shock brigade during World War II.

Based on the novel "Tale" by Dervis Susic. Tale is a former partisan, an honest man and a rogue. His return to hometown immediately creates a bunch of new problems.

Summer of ‘72 – a small group of fanatical Croatian nationalists, trained and equipped by extreme emigrant organizations, infiltrated the territory of former Yugoslavia with intent to organize an uprising against Tito’s regime. Loosely based on true events, it depicts the manhunt that followed.

Immediately after WWII, the Yugoslav government launches massive colonization of the rich villages of Vojvodina, abandoned by German farmers. Germans were being replaced with poor Bosnian peasants. Based on a novel by Branko Copic.

Works and private lives of 800 female employees in the textile factory named "Star".

Bosnia and Herzegovina, 1991. After the fall of the communists, Divko Buntić, who has lived in exile in Germany for the past twenty years, returns to the village where he grew up, intent on reclaiming ownership of his family home, driving a swanky Mercedes and accompanied by his young bride; by Bonny, his lucky black cat; and with pockets full of money.

This film follows father Ahmed and son Tarik Karaga during WWII and the Siege of Sarajevo.

Sabina, a divorced mother of two small children, falls in love with an old friend from the Bosnian war. The two plan to marry, but things go terribly wrong.

A love story between a teenager girl and a small time mob set in Belgrade during the times of great political turmoil.

The armed conflicts of the 1990s not only visibly destroyed the land of the former Yugoslavia, but also left the deepest wounds in the memory of each of its belligerent nations. There are as many different interpretations of that bleak past as there are countries affected. It is therefore hard to expect absolute harmony when, less than two decades since the war ended, a diverse group of veterans gathers at a remote mountain hotel for a therapy session over several days. On the contrary, such a dangerously volatile situation can suddenly ignite by just one thoughtless word, or a seemingly dirty look. That’s because the former soldiers, obstinately holding on to their fundamental masculinity and their prejudices, refusing to expose the inhumanity of the atrocities perpetrated. However, this quietness is just about to be broken and hidden emotions are to be faced.

Jozo and Mujo are mobilized in the Austro-Hungarian Army. Reluctantly drawn into the war they make a bond of unbreakable friendship. To realize the plan to leave hated Army, Jozo are pretending to be deaf and dumb. But his firm determination comes into question when his friend's life comes into mortal peril.

A couple of morticians entertain themselves by betting on how many cold customers will come in that day. But one of the corpses refuses to cooperate...

The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.

A group of spunky seniors launch an armed rebellion against the employees of their retirement home, where they’ve been subjected to years of abuse and humiliation. Abandoned by their loved ones and left with nothing to lose, they stage an insurrection that grabs headlines, shocks the country — and proves that it’s never too late to find something worth fighting for.

Six men, one woman (and her brother) come together with one goal - to make the play. It would be probably another common story that this theater group is composed of anti-heroes who float lost in time and space, in a town where it seems that the sun sets in the east. Led by Sasha, a director who has recently returned to his hometown, this group of socially neadaptiranih amateurs starting the fight to their demons and the prejudices that surround them in the society. For dramaturgical template selection western and riding on stereotypes of the genre of the struggle between good and evil, the conflict between civilization and wilderness, the protagonists develop their life stories inevitably influencing and changing each other. Although, as time passes, the show looks increasingly like a mission impossible, almost all of its stakeholders is increasingly seen as a metaphor for their fate and get caught for it as the opportunity of a lifetime .

Sarajevo, 1992. They are called Ahmed, Lana, Sado, Saba, Sahbey, Beba, Nemanja, Marx, Matan. They live in and between wartimes. They have "nafaka", the destiny which was bestowed on them by God Almighty. They have enough gallows humor and courage to believe in freedom and happiness.

Sarajevo in 1992. Vedran, a once famous musician, tries to shelter his family from the madness of war. He hides them in his old house and goes out of his way to give them a normal day to day life. For a while he manages to keep the war at a distance, but when his daughter gets pregnant Vedran wants to give her a proper wedding in the old town hall

A microcosm of the fathomless suffering that remains more than 16 years since the siege of Sarajevo ended, writer-director Aida Begic’s follow-up to her 2008 Cannes Critics’ Week Grand Prize-winning debut Snow tells the story of two orphaned siblings struggling in a transitional society where only the fittest survive.