Krishnakant

Kishore is a conman who has little respect for the rich. He learns that the person responsible for his friend's death is the same who led to his own father's death. He swears to bring him to justice.

After his father’s death, Navendu devotes his life to raising his step-siblings and honoring his promise to care for his stepmother. However, as the siblings reach adulthood, the family bond is tested. Each must choose between the Road of Sacrifice and the Road of Selfishness, leading to a dramatic conflict between duty and personal greed.

A young couple struggle with poverty, but a job opportunity which cancels their financial woes leads to new tests of character

Gauri, an orphan, is falsely accused of theft and lands up in a reformatory run by Ashok. Due to her rebelliousness, she gets into trouble. But, gradually she comes into her own with Ashok's help.

An army captain falls for an outgoing young woman, but unknowingly weds her shy twin sister.

An impoverished man and his young son travel to Calcutta and look for work, in order to make money that'll save their ancestral land from being seized by a corporation.

Shankar and Paro love each other, but their relationship is strained by his drinking problem and Paro's sudden wealth.

After an hospital accident, a wealthy male is compelled to adopt a prostitute's son. The lead protagonist is played by Raj Kapoor.

Chanderbabu (Nazir Hussain), a retired postmaster, lives in the village with his wife and two sons, Rajan (Paul Mahendra) and Bhanu (Bharat Bhushan). He continues to live there and work for the Zamindar, while his children are getting their education. Rajan is studying for his law exam. He is married to a girl (Padma) from a wealthy family whose haughty ways alarm and frightens him. Bhanu, the younger brother is fun-loving but studious. He gets influenced by the Nationalist Movement in the campus and stops his education in the last year of college. His father is disappointed and feels that Rajan is the one they can depend upon in their old age. Bhanu meets Meena (Shyama), and the two fall in love. Meera's father, Ramnarayan, is the school Principal and is impressed by Bhanu. He decides to get Meera married to Bhanu.

Suraj is a bachelor and a leading industrialist, who is still recovering from being separated from his love, Sushma. He would like to build a hotel in the same region where he met Sushma for the first time, and asks his secretary, Lalwani, to make arrangements. Lalwani meets with real estate agent, Chhaganlal Patel, and they procure a plot on a scenic lot and start the construction. They are assisted by Chhagan's gorgeous secretary, Shabho; a lawyer, Kapoor; Judas a local resident; Mahendraprasad Gupta, a government official; and Gadhucha, a labor contractor.

A rich man who is disillusioned with his greedy relatives leaves his house and wanders off. He finds true happiness when he meets Aarti, who lives in a small town among simple folks.

A peasant and his followers take up banditry and rebellion in response to unjust taxation from wicked deputies of the King. Robin Hood style.

Haria, an elephant driver, loves gypsy girl Gulabi, but faces rivalry from Ajay, the tea estate owner's son. After Ajay kills Haria's elephant, Raja, Haria seeks revenge, intertwining with a family secret and inheritance dispute.

A man is devastated when his beloved is seemingly killed in a train crash, so his colleagues suggest he goes for a picnic to cheer himself up.

Based on Umrao Jaan Ada by Mirza Hadi Ruswa.

Film starring Ashok Kumar and Vyjayanthimala.

A stridently nationalistic story of India’s freedom struggle, presented through the experiences of a Bengali family from 1885, when the Indian National Congress was established, to 1947. Important events incorporated into the plot were Gandhi’s satyagraha (1920), the Simon Commission (1928), Vallabhbhai Patel’s Bardoli satyagraha (1928) and the 1942 Quit India agitations. Krishan Chander’s script, Sachin Shankar’s choreography and the acting styles owed much to the IPTA theatre of the 40s. The film, made at Bombay Talkies, was produced by the distributors of the Chicago Radio PA systems label. Kishore Kumar plays the militant hero of this quasi-documentary. Motwane included old documentary footage purchased from Kohinoor and Krishna Film, as well as a shot of Rabindranath Tagore singing his Jana Gana Mana composition, one of India’s national anthems (Arunkumar Roy’s Of Tagore and Cinema, 1994, traces this footage to Ufa, shot when Tagore visited Munich)

A social drama starred Sardar Akhtar, Mazhar Khan, Anjali Devi and Krishnakant