Georges-Marc Benamou

Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.

Salut les Terriens! is a French talk show hosted by Thierry Ardisson, launched on Canal+ on November 4, 2006, and then moved to C8 on September 10, 2016. The show subsequently changed its name and format in 2018 to become Les Terriens du Samedi! (The Earthlings of Saturday!). Initially conceived as a humorous take on current events with several guests and various games and segments, it later evolved into a more structured format with panel discussions and regular segments. In 2018, Thierry Ardisson sought to revamp the concept, believing the previous version had run its course, hence the transition to Les Terriens du samedi! with a new set and new segments, and a 360-degree turn in the ideology of the guests.

A French current affairs show.

In 2029, just as we have learned to live with seasonal variants of Covid, a new variant of the plague bacillus is discovered in this southern city. With no treatment available, the central government decides to seal off the city and implement a mysterious "Plan D" with monstrous consequences in order to spare the rest of the country.

Drama series that explores Voltaire's early life and evolution. It reveals aspects of the gifted philosopher's life that received less attention: Voltaire the adventurer, lover, man of justice who had an obscure relationship with royalty.

Screen adaptation of the memoires of Daniel Cordier, a member of the French Resistance and close friend of Resistance leader, Jean Moulin.

"Bains de minuit" (Midnight Baths) was a late-night talk show hosted by Thierry Ardisson on La Cinq in the late 1980s, filmed in the famous Parisian nightclub Les Bains Douches. Ardisson interviewed personalities from the worlds of music, film, fashion, literature, sports, and politics, seated among the audience in the club's authentic atmosphere. The concept was to immerse these personalities in the world of nightlife and festivities, far removed from traditional television studios. The interviews were often irreverent and direct, with a provocative tone that would become Ardisson's trademark. He considers this show one of his freest and most audacious creations. It helped solidify his image as a cosmopolitan, transgressive, and highly scripted late-night talk show host.

On the occasion of the fourty years anniversary of François Mitterand's election, a look back to the relationship between the President and artists, from admiration to manipulation.

In 1831, a woman flees her abusive marriage, moves to Paris under a male pseudonym, and challenges gender norms by wearing men's clothing, pursuing affairs, and advocating for women's rights through writing.

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Bill Murray is considered by many of his fans to be "the coolest man in the world". But how is it that this actor, who for a long time did little more than a few weird performances with strangers and crazy improvisations on TV shows, is now better known than many of his fellow actors with far more impressive filmographies? Although the film "Groundhog Day" was published a quarter of a century ago, the cult surrounding the American improvisational talent has never died down and is now becoming almost irrational. The documentary, peppered with interviews from companions and confidants, follows in Murray's footsteps and tries to fathom where the unique fascination for this man comes from. Starting with the theater in his hometown of Chicago, to the TV shows of the satirical magazine "National Lampoon" and the legendary comedy show "Saturday Night Live" to his checkered film career.

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Two young Tunisian women strive to achieve the same level of emancipation enjoyed by their male counterparts—even as their country fights for freedom.

Following in the wake of Benoît Poelvoorde and Philippe Geluck, comedians, actors and other Belgian singers have established themselves in France in recent years, in the media and on stage. But, if we appreciate them today, this was not always the case. In this documentary, director Olivier Monssens acts as the spokesperson for his compatriots. Through testimonies and delicious archive images, he returns to the not-so-distant era when our neighbors were considered friendly but somewhat idiotic people. The film is also an opportunity to understand what characterizes the Belgian spirit by focusing on some of its facets: humor and its famous local variation, self-deprecation, cinema and music.

Albert Camus died at 46 years old on January 4, 1960, two years after his Nobel Prize in literature. Author of “L'Etranger”, one of the most widely read novels in the world, philosopher of the absurd and of revolt, resistant, journalist, playwright, Albert Camus had an extraordinary destiny. Child of the poor districts of Algiers, tuberculosis patient, orphan of father, son of an illiterate and deaf mother, he tore himself away from his condition thanks to his teacher. French from Algeria, he never ceased to fight for equality with the Arabs and the Kabyle, while fearing the Independence of the FLN. Founded on restored and colorized archives, and first-hand accounts, this documentary attempts to paint the portrait of Camus as he was.

Reem is a young political activist who works for an advertisement company. As she tries to uncover the truth behind the incide of the Battle of the Camel, she accompanies her friend Farah to Nazlet Al Seman where she meets and falls for Mahmoud, one of the people involved in the incident.

A young journalist (Lespert) helps the French President compile his memoirs.

May 1945. Victory. Triumph over Nazi Germany. And already, history is being rewritten. The story of a France liberated by its people, resistant at heart, united against oppression. In our memories, we see the faces of heroes: Gaullists and Communists. We forget the origins of the struggle. That of the very first men and women, left-wing, right-wing, communists, far-right, apolitical... who, individually and from June 17, 1940, said "no." A visceral and spontaneous "no" in a France that said "yes," rallying behind Pétain. A "no" from the heart and courage, fueled by the will to act in the name of freedom. They started from nothing, had to invent everything, risk their lives and those of their loved ones. They are the heroes, those who, in isolation, stood up at once and chose to disobey, whatever the cost, even to the point of self-sacrifice. Alone against all...