Acting
A princess attempts to win back her kingdom from a powerful shape-shifting sorcerer.
When mistaken to be a sage by some villagers, an ex-tour guide reflects on his past and lost love to search for spiritual wisdom to guide the villagers in this lesser-known English-language version of R.K. Narayan's classic.
Meet Pyarelal, a simple-minded, naive young man, orphaned at birth, living with a Muslim landlady, Fatima, who treats him like her son. When the police arrest Pyarelal on the charge of murder, no one really believes that this harmless man could harm anyone, leave alone kill. Their belief is shattered when Pyarelal openly admits in Court that he has indeed committed this crime, and demands capital punishment for it.
Do Bhai (English: The Two Brothers) is a 1947 Indian Bollywood film directed by Munshi Dil. Its starred Ulhas, Kamini Kaushal, Dipak Mukherjee, Tiwari, Rajan Haksar and Paro Devi in lead roles. It was the second highest grossing Indian film of 1947. Raj Karan, Nirmala's father and Forest Officer of the State had brought up Jai from childhood like his son. With the comming of youth the playful comradeship between Nirmala an Jai had naturally changed into deep love. Sarala and Shiva Karan, Nirmala's mother an brother, however hated Jai and they succeeded on day in ousting him from their home. Jai comes accross to know he has a stepmother and stepbrother. He was mistaken as the real son of his stepmother and made Yuvraaj.
Gul Mirza is a poet who sings ghazals at Shahenshah Arkat-Ul-Daula's palace and wins the heart of his daughter, Sahebzadi Aalam. They agree to marry once he finishes his service in the royal army. But when his widowed mother is murdered one night, Gul Mirza speaks out against Arkat and gets labeled a rebel, perhaps never able to meet Aalam again. Inspired by a famous legend from the Mughal era.
Radical journalist Diwakar clashes with his traditional father and a scheming politician, Vithalrao, who seizes his newspaper. Disgusted, Diwakar leaves home. His wealthy girlfriend, Nalini, initially supports Vithalrao but later campaigns for Diwakar, who represents slum-dwellers in an election. Despite her father's support, Nalini urges voters for Diwakar. Nalini wins, but Diwakar's loss is depicted as a moral victory, critiquing middle-class materialism.
Angara and Vikram fall in love despite their family being from different clans and having a feud.
Diwakar is a poet and loves his wife Jamuna on everything. But Jamuna does not agree that Diwakar lives out of sheer poetry in a fantasy world and the real world less and less responsible. Diwakar goes so far that he is a fantasy woman in his wife's body creates what he calls Mohini. Diwakar will soon become a recognized poet and Jamuna gives birth to a boy. Unfortunately, the happiness does not last long: Diwakar loses his job because of a critical songs against the British. Now he can no longer feed his sickly father nor his son, who is starving. All this makes Jamuna angry, but above all Diwakars growing obsession with Mohini. As Jamuna decides to live apart from Diwakar, it is destroyed internally and no longer capable of proof. Jamuna slowly realizes that she can not live without Diwakar and forgives him.
Anita is a weird girl, who either loses her memory or pretends to not remember.
A fictionalized account of the life of poet and nobleman Mirza Ghalib during the reign of the last Mughal Emperor, told through the lens of his ill-fated love for a beautiful courtesan he called Chaudhvin.
Classic Bollywood film about a young man whose poverty leads him to commit crimes which, in turn, lead him to harsher and harsher punishments.
A woman faces all of her marital hardships given by her husband with patience.
Heer Raanjha is a 1970 Indian Hindi-language romantic musical film directed by Chetan Anand. It stars Raaj Kumar and Priya Rajvansh and tells the tragic love story of Heer, a wealthy girl, and Ranjha, who has been banished by his family. The film is often referred to as a Punjabi version of "Romeo and Juliet.
A guitar-carrying musician and a rebellious runaway wealthy woman go on the run from organized gangsters.
A delicately nuanced psychological drama, exploring a 3-way relationship between the main characters and the crisis of conscience that rocks it. A prosperous, well-respected lawyer, in love with and engaged to an educated, socially-conscious young woman, rapes a poor local village milkmaid. The rest of the story deals with the aftermath of this tragic event, with all the inevitable undercurrents of guilt, penitence and pervasive heartbreak that stem from it.
Progressive, reform-minded young warden gets permission to take six surly murderers from prison to dilapidated country farm, to rehabilitate it and themselves through hard work and kindly guidance.
A tourist guide meets an unhappy married woman who wants to take up dancing. With his motivation, she becomes a successful dancer but success corrupts the man's mind.
Rajesh, is very insecure and possessive almost to the point of an obsession. He introduces Meena to his close and best friend, Dr. Shekhar, and soon gets formally engaged to Meena. Thereafter, Rajesh and Meena have an automobile accident, in which Rajesh becomes paralyzed and must be confined in a wheelchair. It is then that Rajesh finds out that Shekhar and Meena are having an affair, and the old murderous and possessive hatred, that he had managed to conceal, surfaces again - and this time will it will be Shekhar's turn.
A big-game hunter's son and a Hindu boy brave the jungle in order to deliver a baby white elephant to an Indian temple.
A Hindi-language costume drama directed by A. Karim. The film stars Shammi Kapoor and Shyama in the lead roles.
