Acting
Roopa, unhappy in her marriage to Niranjan, champions changes in divorce laws to allow women to initiate separation. She successfully divorces Niranjan and marries Amarnath, only for Amarnath to then use the same laws to divorce her.
Taking place almost entirely over the course of one stormy night, a woman is terrified when an accused murderer escapes from a mental hospital and seeks refuge in her home.
Two close friends decide to enter law enforcement – one a police officer, the other a lawyer – but their friendship begins to unravel when they both fall in love with the same woman.
To her parents' chagrin, an idealistic doctor weds the unemployed man who saved her life while her ex makes it his mission to break up her marriage.
An incompetent lawyer gets evicted, dons the guise of an old man to gain accommodation, falls for the owner's daughter, then faces numerous life-changing challenges.
Raised by a kind matriarch, Madhavi (Meena Kumari) shares a close bond with her foster brother Rajesh (Dharmendra). When Rajesh marries the insecure Bhanu (Padmini), Madhavi faces false accusations and attempts suicide. Rescued by Moti (Raaj Kumar), she marries him, only to discover his manipulative and exploitative true nature, leaving her trapped in a life of further sorrow.
Sohrab Modi's Meetha Zahar (Sweet Poison) is a social drama film that explores the devastating effects of alcoholism and advocates for prohibition. The narrative highlights the societal ills and personal ruin caused by alcohol, urging audiences to recognize the "evils of drinking."
Amiran is sold to a brothel by a corrupt cop after her father testifies against him. Many years later, she grows up to be an accomplished poetess and a renowned courtesan, Umrao Jaan.
A tourist guide meets an unhappy married woman who wants to take up dancing. With his motivation, she becomes a successful dancer but success corrupts the man's mind.
Peter (O. P. Ralhan) and Kitty (Helen) love each other, but due to Peter's poverty, they are unable to marry each other. One day, during a secret rendezvous, Peter accidentally overhear a conversation between one Mahesh Jetley and his paramour, where Mahesh tells her that he is soon going to bump off his wife on a certain date. Peter and Kitty decide to foil this man's plans. However, there are 2 problems: 1 - They have not seen Mahesh or his paramour's face. 2 - Even if they had, no one would believe their story. Hence, the lovers decide to do a little investigation on their own. They find three Mahesh Jetleys. On some snooping, they find that each man is married and each of them has a miserable married life. To find their suspect, they devise a plan whereby they will stage an attack on each man's wife. Whoever the culprit is, will freak out and his identity will be revealed.
Jwala (transl. Flame) is a 1971 Indian Hindi-language action film directed and produced by M. V. Raman and written by Chandliyan. It stars Madhubala (in her final, posthumous film appearance) and Sunil Dutt, with Sohrab Modi and Pran in pivotal roles. The film's music was composed by Shankar–Jaikishan.
Widowed by the sudden passing of his wife, Superintendent of Police, Choudhry, brings up his son, Rajesh, on his own, teaches him all known good values, and when he grows up sends him to College in Bombay, and remits money to him regularly. Choudhry would like to transfer to Bombay Police, so that he can be close to his son, and then one day out of the blue, his transfer is approved, and a delighted Choudhry writes to his son to pick him from the railway station. Upon arrival in Bombay, he does not find his son at the Railway Station, but when browsing through a newspaper he sees his son's photograph - wanted for the murder of a card-sharp. Shocked and dismayed, Choudhry attempts to piece his life together and attempts to find Rajesh before the City Police do - for he may well face the death sentence. Choudhry does find him, but only after Rajesh is accused of killing a woman named Kishori, and this time Choudhry is quite sure that there is no hope for Rajesh.
Baijnath alias Baiju is a slacker, trouble-maker, unemployed, and a flirt. The villagers rally together and force his father to ask him to leave the village, which Baiju does. Baiju's travels take him to the castle of a king, who has a beautiful daughter named Ratnavali. When he sees Ratnavali, he is smitten by her beauty and falls head over heels in love with her.
Yuge Yuge Mi Vat Pahili is a Marathi movie released in 1965. The movie is directed by C. Vishwanath and features Jayshree Gadkar in a strong author-backed role as a woman who refuses the hand dealt to her by fate and instead fights patriarchy and chauvinism while acknowledging her own feminine desires. A film ahead of its times, with beautiful songs and a dark and bold undercurrent throughout.
Drama about a large Indian family coping with revelations about the fathers past.
a 1946 film by J.K. Nanda
A dramatic countdown begins for a famous poet facing the gallows for a crime he may not have committed, as a doctor attempts to unravel the dark truth behind a beautiful, complex woman and a mysterious book, hoping to find the salvation in his final Night of Separation (Birha Ki Raat).
It takes a debilitating disease like cancer to reunite brother (Raj Babbar) and sister (Nutan).
When Kamal Kumar meets the young, beautiful Gayatri on a train he instantly falls in love, and despite the fact that he is the son of a wealthy landowner, Rattan Kumar, and she the daughter of a farmer, Narayan, he convinces her to marry him. But when Kamal has to go to Singapore for business, his father finds out about the wedding and makes Gayatri swear she will never reveal her relationship with Kamal to anyone. When Gayatri discovers she is pregnant with Kamal's child, she and her father are forced to leave the village.
Preeti, a wealthy woman, is in an intimate relationship with Prem, but her father disapproves and devises a plan that leads to their breakup. Years later, Preeti is reunited with Prem in a completely different situation.
