Erik Thygesen

Archaeologist Sigurd Svendsen discovers that the Oseberg ship hides a secret from the Viking Age. Along with his two children put Sigurd out on a quest to find the truth. The mystery leads them into "No Man's Land" between Norway and Russia where no man traveling in modern times. Old runes take on new meaning when the secret they uncover is more frightening than anyone could have imagined.

Knud is a farmer and dreams of running the farm together with his wife. He has both ideas and drive, but his finances are not the best.

In a small two-room apartment in a backyard in Vesterbro, Copenhagen, 14-year-old Ester lives with her father, mother, and older brother Carl. It is a typical working-class neighborhood of the time, and the apartment lacks any modern conveniences. Coal must be fetched from a dark basement where homeless people have sought shelter and lodging for the night. Ester is a dreamer. She wants to be a writer and secretly writes poetry. She often loses track of time and place when her thoughts wander.

The ABCinema group dispatched Jørgen Leth to make the arrangements with Prime Minister Jens Otto Krag, who good-naturedly put himself at their disposal. Relaxing on a bench in the garden of Copenhagen's Royal Academy of Fine Arts, Krag is scrutinised by camera-wielding collective members almost like a model in a life-drawing class. Every possible angle, distance and framing is tried. The result is an image of the prime minister that is both fragmented and multi-facetted, describing his visual appearance as a man and an icon. At the same time, the ABCinema members film each other filming Krag, which gives the film a highly self-reflective character. Like "The Deer Garden," this is a film about a film being filmed. A showdown with the documentary portrait genre, "Jens Otto Krag" is devised according to the principle of keeping the material alive by not editing it but randomly piecing it together. (DFI)