Writing
Using high-school students, Hungarian director Ferenc Kardos re-created the 1848 revolutionary period in that country's history which was dominated by the poet/soldier Sandor Petofi (1822-1849). Petofi wrote many epic poems which inspired Hungarian nationalism, the most well-known of which is Up Magyar! The students were encouraged to improvise without costumes or scenery, and did so with gusto.
This satire on film depicts the micro-climate of a technical vocational school newly established at a housing estate. The construction vocational school holds a name-giving ceremony, thus calling the attention of its supervisory organ to itself. The school-master distributes as well as receives presents from the sponsoring factory, and the pupils sit for a written examination of unheard-of material. The results are devastating, which the despotic school-master attempts to conceal by a staged disciplinary procedure.
While awaiting his release from the Soviet detention camp he is being held in, a half-starved refugee (Andras Ambrus) finds that an error has been made and his name is not on the to-be-released list. It is then that he is forced to assume the identity of a dead man whose name is on the list. Ambrus at first refuses, but because he was an orphan and cannot produce evidence of his true identity, he has no other choice. However, when he returns to the outer world and the community he was raised in, he is greeted with suspicion. When he tries to claim his part-ownership of a farm from his adopted uncle, he is refused and beaten by farmhands the uncle sets on him.
Sanyi is the driver of a co-op bus and lives in tenancy with his wife and son. In order to get along he buys the auctioned truck of the co-op and becomes a transportation entrepreneur. First everything goes well, they start a construction.
This light comedy with grotesque elements tells the story of M, the young and beautiful model mother, who seeks happiness and a father for her precocious, but inventive daughter, Tündike.
Péter begins to correspond with the unknown Ági living in Munich while he is spending his military service. After the service he goes to Munich and at the address given by Ági he finds four nice old women who put him up. He cannot find Ági, however.
In the country reformatory school both the teacher and the children are trapped by the circumstances. From among the pupils excels Sanyi, who cannot accept the fact that his mother does not love him and he keeps on escaping after her. From among the teachers it is Mr. Csőrös who distinguishes himself by listening to the children, looking for those who escaped, Sanyi feels affection to him.
In the late 17th century, Hungary moved from Turkish to Austrian domination, becoming a key part of the Austro-Hungarian Empire. In this story, which takes place shortly after that time, three outlaws murder a group of people on their way to a wedding. One young man was a slave travelling with the group to entertain them with his skills as a trumpeter. The outlaws spare him for the same reason. He allows himself to believe that they are really an unattached group of independence-fighters, but after seeing their brutal and callous ways, he cannot believe that they are good men, and he turns them in to the authorities. At that point, he is unnerved to discover how nobly they bear the rigors of captivity. ~
Herbert lives a happy childhood in a small town in early-century Hungary. His new friend Ödön brings colour and excitement into his life, and they find a hiding place together in a warehouse. One day, an escaped girl from an institution is locked up here, but Herbert later releases her, and loses his friend forever...
To celebrate Sleeping Beauty's awakening, the cruel stepmother organises a dress-ball in the Wonder Castle and invites the characters of all tales and their two fathers, the Grimm-brothers. The stepmother announces total peace, but in fact she is preparing for a coup d'état with a phoney prince, a phoney Sleeping Beauty, through intrigue and violence in order to change the tales.
1989 in Budapest. A gang of teenagers is roaming about in the city. They are hanging around, longing away from here, their parents do not care about them. They sustain themselves by breaking up cars and by minor robberies.
The seeming hopelessness of combatting an all-powerful government that will not tolerate political dissension is the focus of this excellent historical drama set in the mid-19th century in Hungary. In the opening scenes, Hungary has just lost its bid for independence from Austria and a Magyar officer, unable to bear the tragedy of defeat and what it means, says an affectionate good-bye to his beloved horse and then shoots the animal and himself. Two years later, Ferenc (Gyorgy Cserhalmi) is trying to eke out a living for his wife and her family -- and at the same time avoid any hint of sympathy for Hungarian independence because the Secret Police are everywhere. Just as life seems to be going well, Ferenc's former commanding officer (Lajos Oze) arrives and begins discussing revolution again -- a futile pursuit at this point in time. The next day, Ferenc is thrown into an insane asylum and everyone else is arrested as well.
The sixteen year old Bea is on her way home from her sports class when a foreign long- vehicle stops by her and she is asked the way. A shove, the banging of the door, and the long-vehicle pulls away with its victim towards the South. Beas abductors rape her and sell her as a prostitute. She tries to escape, keeps leaving marks behind, hoping that her beloved father, Sándor, will find her.
A Hungarian band plays American rock & roll and blues hits with great enthusiasm and passion, but success seems to avoid them. TV and radio don't play their songs, sometimes even their crowd just sits and sips beer. Something must be done, and the band's leader (Lóránt Schuster) comes up with the big idea: write and play songs for the people about themselves and not about some exotic, but too distant people's life. "We move from Tobacco Road to Retek street." With the remains of the band and a second singer (Gyula Deák "Bill") they find what they failed to show people before. The rich new sound can finally translate the spirit of blues and rock much more than words from any dictionaries could, this is the Kőbánya blues.
More than a storyline with a beginning, middle, and end, this tale of a foundry worker who engages a woman -- and fellow worker -- to do housekeeping for him is a tale that holds up the Hungarian social system against the morality of an exploitative male-female relationship. After his wife dies, the rough-cut and intentionally nameless "man" (Jozsef Madaras) eventually coerces the "woman" (Julianna Nyako) into doing his housework for a small remuneration. Everything goes along passably well for awhile, until the man adds in more household responsibility in the form of chickens to raise. Due to extra work at the factory, the woman cannot tend to the chickens as she should and the result is that some of them die. The man is furious, verbally abuses her, and then rapes her. Later, the woman discovers she is pregnant, with dire consequences.
When young Tako's father dies in Hungary in 1945, Tako is left with scant memories of him. Nurtured by his mother, the boy fantasizes about the man his father was, imagining him a hero. Grown into a man himself, Tako falls for a Jewish refugee, Anni. Burdened by her own heritage as a Jew, Anni sparks in Tako a desire to find out what his father was really like, and he delves into the role his father played in World War II.
The particular interest of György Szomjas’s short documentary is that it immortalizes the work of the Szeged University Stage headed by István Paál (although it is not named in the film), which after 15 March 1973 was officially recategorized from ‘tolerated’ to ‘banned’. On hearing about events in Chile in early March of that year (a temporary upsurge in popularity for the left wing at elections), young students dramatized the news first in spontaneous play and then in directed exercises. Viewed in the knowledge of what subsequently occurred in Chile, the group’s liberated acting is tinted with tragedy.
A man who leads a lonely existence with his young daughter accidentally gets involved with a robbery before a manhunt ensues.
The characters of this fiction of sociogra-phic accuracy live in the reformatory school for girls in Rákospalota. They are all girls of similar pasts, desires and needs but Juli hates bars more than any of them, trying to make contacts with the world out there in order to leave the school behind forever.
Lina and Mariana run from an orphanage in Porto towards the south, in search of Lina's father. It is in a difficult and chauvinistic world that they end up finding Alberto who lives with Júlia on a hill somewhere in the Alentejo. Without informing that Maria is their daughter, they try little by little to know why she abandoned her. When they know the reasons, they both plan revenge ... and execute it.
