Salvador Aguirre

One city. Three days, three social classes, three love songs, human beings who coexist without touching one another, joined by mirages and hopes. Their struggles to survive are individual and secret; there are no winners or losers. The seeming order is maintained and a weekend begins.

After working for three years in the USA, Filiberto returns to his home town in Mexico. A proud man, he is searching for the recognition that will give him a new position in life. However, he finds that things have changed. His mother is dead, and Luis, his best friend, is married to his ex-girlfriend. Filiberto gets involved in the town’s disputes over a water spring.

Alberto resorts to disturbing and extravagant practices to break through the shell of his loneliness and fulfill his desires.

A young couple in crisis finds an unorthodox solution to their conflict.

Built on a lake and reshaped over centuries, Mexico City is a metropolis defined by water—scarce, overwhelming, and ever-present. Through its streets and its people, the film explores how this fragile relationship continues to shape a city that floods, thirsts, and slowly sinks.

An indigenous boy named Juan faces what, to him, is a terrible monster. His fear grows constantly. Seeing this, his grandmother Mariana believes she has a cure