Teresa Sánchez

Six women share a common 'friend': madness. It visits us all, pushes us to decide reality, to make daring decisions and to transform our lives.

In a bustling Mexican household, seven-year-old Sol is swept up in a whirlwind of preparations for the birthday party for her father, Tona, led by her mother, aunts, and other relatives. As the day goes on, building to an event both anticipated and dreaded, Sol begins to understand the gravity of the celebration this year and watches as her family does the same.

Olga lives a strictly regulated life without attachments in a vast apartment block. When out of financial necessity she rents a room in her apartment to a man who also sneaks-in his nine-year-old son, an unlikely bond forms. Her carefully controlled world begins to shift, and their lives become intertwined against her will.

Ana and her two best friends, Maria and Paula, navigate life in their oppressive countryside village. Whilst their families struggle in the poppy fields harvesting opium, the girls try to grow alongside the creeping terror of their cartel oppressors.

After breaking up with his girlfriend and without a stable job, Laif faces his new life with what he has left: a great ability to do the opposite of what is right.

17-year-old Joel, a recently recruited night guard, watches over a compound marked by cartel violence. When the darkness begins to whisper, he realizes some secrets never die.

A young photojournalist in the city of Veracruz, Mexico, will risk his life to dig up a shocking truth after picking up the investigation that his journalist friend and mentor left unfinished when getting killed by the organized crime.

Rosa, a contemporary music composer, agrees to give her first television interview at her colleague Tere’s apartment to keep it secret from her husband. What begins as a simple professional conversation turns into an absurd and comic portrait of rivalries and affections among three women—Rosa, Tere, and Tere’s daughter Luisa—interrupted by power outages, a constantly barking dog, and the visit of a famous composer. As the interview unravels, family and artistic tensions surface, revealing, with humor, both the fragility of prestige and the strength of complicity.

The newly separated Leonor comes from the monied class, while sixteen year old aspiring ballerina Emilia does not. They begin a tense pas de deux waiting out Emilia’s pregnancy in a remote country home, isolated from the world and each other.

Luisa and Gabino visit their parents in a mining town in the north of Mexico. Their father’s only interest in them is sparked by Luisa’s actor boyfriend when he acts out the role of a narco kingpin. To cope with family tensions, Gabino imagines a parallel reality of detectives and organized crime.

On the outskirts of an isolated mining town, Lázaro discovers a dead body. He thinks he has a respiratory illness and doesn’t want to go back to the mine. Rumours, suspicion and desire surround him.

Eve, a young chambermaid at a luxurious Mexico City hotel, confronts the monotony of long workdays with quiet examinations of forgotten belongings and budding friendships that nourish her newfound and determined dream for a better life.

An itinerant mover works from the streets of Mexico City with his partner and lives with his beleaguered mother. A heightened tension within the home – by the absent older brother and unmentioned father. Gabino's casual pursuit of a career is interrupted by a series of intense and almost satirically telenovela-esque domestic vignettes.

Three friends – a trio in love – get together after an audition. Their prosaic exchanges take a different turn when they remember how they met.

Fifty-year-old Maria Garcia is the owner of the Dos Estaciones, a once-majestic tequila factory struggling to stay afloat, and the final hold-over from generations of Mexican-owned tequila plants in the highlands of Jalisco; the rest have folded to foreign corporations. Once one of the wealthiest people in town, Maria knows her current financial situation is untenable. When a persistent plague and an unexpected flood cause irreversible damage, she is forced to do everything she can to save her community's main source of economy and pride.

This outrageous comedy stages a soap opera of epic proportions, as one corrupt property developer faces trial for Mexico's violent history. The fourth feature from Santiago Mohar Volkow, Una historia de amor y guerra centres on real estate baron Pepe Sánchez-Campo, whose mega-mall development brings him into conflict with local guerrillas. For once, bribery and a call to Daddy might not be enough to save Pepe – a character more grotesque than the telenovela unfolding around him. Trying to sabotage Pepe's marriage to Constanza, her cousin and lover Teo records Pepe cheating. The resulting chaos precipitates in a burlesque bloodbath involving treachery, talking animals, colonial history and bartering in the afterlife.

Mexico City, early 90s. The day Bruno turns 11, his growing feelings for his best friend Vladimir clash with the sudden announcement that his father has HIV. Like in salsa songs, his family tries to sing and dance their pain away. Thirty years later, Bruno films and reimagine the memory of what he could not quite perceive as a child.

Enigmatic and deceptively playful in tone, this film from Gabino Rodríguez, in collaboration with Nicolás Pereda, boldly transforms mundane, realist observations at a rural Mexican schoolhouse into fantasy and a sly comment on childhood, rituals, and race.

After 15 years, Mateo returns to the old textile factory to say goodbye to his recently deceased mother. Incidentally, he will have to spend time with his alcoholic father, whom he can't stand.

In the border city of Juárez, México, where violence against women is perpetrated with impunity, an unlikely defender emerges with a desperate call for change. Inspired by true events.