Florencio Castelló

Santa is a beautiful and very humble young girl living in Chimalistac, a small and quiet spot south of the 1930's Mexico City. After Santa is cheated by arrogant soldier Marcelino, she's rejected by her family and friends and expelled of Chimalistac. Santa finds shelter in a whorehouse and becomes a cinic and bitter woman, mistreated by bullfighter "Jarameno" and silently loved by blind pianist Hipolito.

Young priest Father Sebastián is assigned to a parish in San Jeronimo el Alto, where he is not welcomed by the community, particularly the resident priest Father Damián. The newcomer gradually earns the trust of the people through humor, but firmly captures their hearts by saving the town fiesta by fighting a bull when the hired torero failed to show. Father Sebastián counsels the townspeople, lecturing them on their duties in a modern society. He used the collection plate to redistribute the town's wealth more evenly.

After a lavish dinner party, the guests find themselves unable to depart... and, over the next few days, all of their elaborate societal pretenses and façades deteriorate as they are reduced to living like animals.

Two children grow up together and when the girl gets married, the young man realizes that he has always been in love with her.

Martin retired from his job as a hero because of his marriage to Rosario, a beautiful and ambitious girl who passed through the workshop where he works. However, Martin has to return in principle to help a friend from robbers.

A rumor reaches a small town, San Garabato, that a government infiltrator will arrive to check the conditions of the community. Quickly, the municipal president, Don Perpetuo del Rosal, orders the imprisonment of those who might give a bad image. An indigenous man named Calzonzin arrives in town, pursued by two men. He is quickly taken as the infiltrated inspector, and protected by all the local authorities.

Cantinflas enjoys the bullfight show, and wants to crash in every of these spectacles. Also, there's a professional bullfighter, Manolete, who is identical to Cantinflas. Manolete has to give a bullfight show in a village, but Cantinflas arrives first as a stowaway in a train, and he'll be mistake by the real bullfighter. Cantinflas will give us a demonstration of courage.

Pastora de los Reyes is a beautiful Spanish that goes to Mexico with a contract to film a movie. The main actors will receive her at the airport, among them is Paul, a little-known mariachi that has been chosen to become a new idol. Automatically, both had bad relations and during filming many discussions happens. This arguments gives way to a deep love.

No description available.

Mexican love stories follow a dying man, a bullfighter's sister and lovers from feuding villages.

A sort of meta riff on Alexandre Dumas fils' novel The Lady of the Camellias (La Dame aux Camélias or Camille) here in Mexican melodrama form involving the doomed love of a bullfighter and a beautiful but ailing actress/courtesan.

El Piporro, desperate to earn more money, decides to fight and put his skills to the test in the rodeo using a nickname.

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Claimed by his grandmother, who lives in a Mexican village, Joselito begins the journey from Spain. Once there, while traveling in a stagecoach, is assaulted by bandits. Joselito manages to escape and, walking aimlessly, he meets Antoine, a rider who is ex officio of random player, and become close friends.

In a whorehouse in Acapulco, lives Leonor, a young and beautiful woman who is awaiting to reunite with an old lover. Suddenly, the man reappears to take her away from her life of vice. But the debt owed by Leonor to the "Madame" of the house causes a series of conflicts.

The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.

A whore house is transformed into a decent household by a respectable man.

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Martin Corona, player and womanizer, defends the underprivileged, the poor and the needy. He will have to defend a Spanish girl and her servant from the clutches of the villainous of the town. Not only will he have to fight the bad guy, but against the pride of the girl who initially believes that he is the bad character and distrusts him. She was very proud to put him at her feet, but there was a problem, Martin Corona was due more to his people than anyone and she was not willing to risk losing it, so before marrying him, made him swear he would not intervene In other problems.

Screwball comedy about country girl who inherits a fortune.