Saeed Akhtar Mirza

Host Farooq Shaikh interviews many well-known Bollywood faces as well as television celebrities and gives a peek into their private and professional lives.

Salim Pasha, a man with a physical disability, is involved in crimes like extortion and robbery with two of his friends Peera and Abdul. Salim is a carefree man.

'Albert Pinto Ko Gussa Kyun Ata Hai' revolves around the Pintos and the people connected to them. There's Albert who's pretty much angry at everybody. His brother Dominic who thinks it's better to be jobless than to work an underpaid job, his patient sister Joan who works at a sari shop, his independent girlfriend Stella who feels under-appreciated by her boyfriend, his father and his colleagues, client and Stella's family. The film is very much a social commentary about Middle-class life in Bombay during the late ’70s and the conflicts arising in the labour force because workers were getting severely underpaid.

An old couple, Mohan Joshi and his wife, sues their landlord for not maintaining their 'collapsing' apartment building. For this, they hire two cunning lawyers. The court case drags on for years and the lawyers milk the old couple dry, while they become rich. Back home in the society, the old couple is ridiculed for fighting the landlord, but they fight on nevertheless.

Arvind, a rich businessman's son, dates the office secretary but is engaged to marry someone else. With a complicated family background, he struggles to find meaning in his life.

Indian documentary about Indian film history and P. K. Nair, the founder of the National Film Archive of India and guardian of Indian cinema. He built the archive can by can in a country where the archiving of cinema was considered unimportant.

A stylized version of Vijay Tendulkar’s radical Marathi play chronicling the Peshwa regime in western India, a collective effort of direction and cinematography made by an independent group of young filmmakers.

An Indian TV series dealing with the struggles of the urban youth who strive to make a living in Mumbai.

Mumbai, 1992. Naseem, a 15 year-old schoolgirl, lives with her grandfather and grows up with stories of pre-independence communal harmony. Later, she helplessly watches the communal situation regression with the demolition of Babri Masjid.

A portrait of independent filmmaker Saeed Mirza best known for cult arthouse films that tackle socio political tensions in India.

The film tells the tale of Mumbai city and the millions who get off the train at VT station at every second of the day, hoping to latch on to the magic of Mumbai.

The two poor boys living in misery make their living by collecting the coins that are thrown on the corpses as an act of charity. With a discerning eye they keep watch on funeral processions that would fetch them money. This hard earned money is snatched away from them forcibly and their efforts to make a living becomes futile.

Sonu lives in a small village of Himachal Pradesh with her parents and grandmother. Her father works in Shimla. Intelligent & smart, she is the leader of her gang of friends, which include her neighbour Neelam, Ghanshyam the local grocers (Lalaji) son and Himanshu. Everyone in the village shows special concern towards her, though not in a manner that could embarrass or hurt her.