Guillermo Weickert

Javier Giner, a thirty-year-old audiovisual professional, voluntarily checks himself into a rehabilitation center due to his alcohol and cocaine use. Armed with his personal journal and complete determination to reverse the path he's going down, Javier faces what is undoubtedly the key moment of his life. The months of recovery in the rehab center, surrounded by nature and a cast of memorable characters, completely change Javier Giner's life.

Through five stories, the movie addresses sex and love: Paco and Ana are a marriage looking for reactivate the passion of their sexual relations, long time unsatisfied; Jose Luis tries to recover the affections of his wife Paloma, sit down on a wheelchair after an accident which has limited her mobility; Mª Candelaria and Antonio are a marriage trying by all way to be parents, but she has the trouble that no get an orgasm when make love with him; Álex try to satisfy Natalia's fantasies, while she starts to doubt if he finally will ask her in marriage; and finally, Sandra is a single woman in a permanent searching for a man to fall in love. All them love, fear, live and explore their diverse sexual paraphilias and the different sides of sexuality, trying to find the road to happiness.

Carmina, 58, runs a shop selling Iberian products in Seville. After several robberies and no help from her insurance company, she comes up with a way to recover the money she needs to keep her family. While she waits in her kitchen for her plan to kick in, she thinks back over her life, her work and her miracles.

A collection of sensual and provocative male-centric LGBTQ+ short films including: Pedro Had a Horse, Monte, The Gemini Has Two Faces, Death is Not the End of the World, Cobalto, The First Kiss, and The Oddity in the Blue Crayfish.

After a heart attack, Luís (60) experiences the threat of death for the first time, as well as the impact of aging on his body. Scared, he decides to retreat to a mountain house belonging to his ex-husband Galo (60). Luís intends to move away from what he desires the most: his young boyfriend Mario (23), although the boy is unwilling to let him go like that. In the same mountain refuge where he spent his childhood, Luís will be forced to confront his fear of death and old age, while he fights against the desire of keeping Mario by his side.