Writing
Chiu Kang-Chien (Chinese: 邱剛建, 19 May 1940-27 November 2013) was a Chinese screenwriter and director.
Amid the opulent teahouses of 1930s Hong Kong, a humble courtesan and the wayward scion of a wealthy family fall in love and embrace death by suicide pact. Fifty years later, her ghost returns to find him, drawing a young contemporary couple into her quest to rekindle a passion that may be as illusory as time itself.
Based on the tragic true story of China's first prima donna of the silver screen, Ruan Lingyu, chronicling her rise to fame as a movie actress in Shanghai during the 1930s.
Director Zhang Jiarui's new film, "Mi Cheng," formerly called "Distant Thunder," has been nominated for the upcoming Beijing College Student Film Festival, Ent.sina.com reported. After a successful premiere at the 34th Hong Kong International Film Festival, "Mi Cheng" received a great deal of attention from the audience. A thoughtful and humanistic film, it includes a deep discussion of humanity with tight links to reality. The intense story line and sad ending made a deep impression on the audience. Famous critic and dramatist Peigi Chiu and viewers alike were impressed with the performances of the lead trio, Huo Siyan, Ge Siran and Guo Xiaoran. The film is a horror, mystery and love story that uses special filming techniques to tell the uncanny and thrilling story of happiness and sadness among lower class people. It took two years for director Zhang Jiarui to finish this film.
Crown Prince Wu Luan is in love with Little Wan but left heartbroken when she marries his father, the emperor. The emperor's brother, Li, kills him and Wu Luan tries to avenge his father's death.
18-year-old Ainu is kidnapped and sold to a brothel. Her good looks and wild personality make her very popular with the lustful clients, but also draw the lesbian attentions of brothel madam Chun Yi. Chun Yi teaches Ainu the ways of lust and the ways of kung fu, and Ainu becomes more and more similar to her captor. But rage at her treatment is still burning inside her.
Rebellious Yu Yuan-gi becomes a Taoist priestess in order to avoid traditional roles designated to her as a woman by the society and focus on her studies and poetry. However, her trysts with both her maid and a ronin lead to trouble.
Four carefree lovers in Hong Kong enjoy their youth while danger looms on the edges.
In the mid-sixties Chang Cheh changed the face of female dominated films with his male dominated, violent kung-fu films. Dead End was the start of a new force that lasted 6 years, the first film to star David Chiang and Ti Lung under director Chang's discerning eye. The trouble all begins when Chen Hung-lieh's character disapproves of Ti Lung's character courting his sister.
A Japanese photojournalist revisits Vietnam after the liberation to document the nation, and begins following and documenting the young children from a poor Vietnamese family.
Four heroes embark on a secret mission for Dr Sun Yat Sen's Nationalist Guard. Relentlessly pursued by the warriors of notorious Warlord Yue Sai Hoi, they have seven days to reach the Lo Yang Pass with their secret cargo.
Ko leads a team of Hong Kong assassins that are taken out one by one. Ko manages to flee to the countryside, where he aims to find out who's behind this and to gain the strength to fight back. Helping him is local girl Tong, whilst chasing Ko is the long arm of the law, represented by cop Chung.
Before the Big Ban on prostitution, West Hong Kong is famous for its houses of pleasure. The most infamous of them all is Floral Ode House. Among its girls are Yen Hung, who becomes a widow regularly; aristocratic Chien Chien; Cherry Fun, who manages to lose the nickname; and a bevy of beauties. The madam who is on good terms with the police chief claims the best business this side of virtue. Then there comes from England Cheng Li-Peng, commissioned to ban prostitution. He is engaged to Lily, the police chief's daughter. But his parents had arranged a wife for him when he was an infant. They have lost trace of each other. Cheng Li-Peng starts his investigation, which lead him to Yen Hung's and Chien Chien's bedrooms. He is surprised to find himself in love with all three girls. And one of them turns out to be his missing fiancee!
Four young people spend their time living the wild life - until one of them is brutally murdered in a burglary. The survivors come under the scrutiny of an eccentric cop, and their underlying fears and regrets slowly but surely emerge.
After a gang massacre that resulted in the killing of his adopted father and gang leader, a martial artist goes into exile to take the blame. A year later, his gang is mysteriously trying to kill him, and he slowly discovers why.
Little Bastard searches for the parents who abandoned him as an infant, with the help of Little Beggar. He finds his father, who is a powerful and wealthy manl and is taken in by him and his family. Before long Little Bastard is seduced by his attractive cousin, making Little Beggar very jealous. However, the seduction and family welcome are all part of a nefarious plan.
A kung fu knight walks the road to vengeance after the evil Ghost Gang kills his wife and son. The swordsman known as "Twin Blades" must take on a quartet of color-coded cutthroats to set things right.
One night a textile worker is sexually assaulted by five deviants. The young lady tries to cope with the aftermath of this dramatic event but her life is ruined. Like a shattered vase, the pieces can be put back together but it'll never be the same. Cheng get's a job as a bar girl. She meets the club's owner who was a former kung-fu fighter until he was crippled. Cheng uses her position as a B-girl to go after the losers who raped her, She soon learns from a sleazy doctor that she has contracted a dark V.D. called Viet-Nam Rose. Crushed, she begs Lo Lieh to teach her kung-fu. At first he refuses until he learns her secret. Furious, Lo Lieh teaches her his deadly fight techniques (such as a groin crunching blow).
Yao Hao (Chen Sing), is a young man whose father was assassinated and whose mother was killed in an attack on the funeral procession. He survives the attack and winds up at a Shaolin temple where he insists he wants to stay and become a monk. His beautiful fiancée (Lu Shu Chin) pleads with him to come back with her, but he refuses. The head monk, Brother Fa (Chan Wai Man), an orphan who's been at the monastery all his life and is expecting to succeed the current Shaolin Abbot, is jealous of the privileges Yao Hao has had in life and asks him questions about the outside world, including what it's like to touch a woman. Brother Fa's weakening resolve soon finds him leaving the monastery and falling into the clutches of Lord Eagle (Kam Kong), the Manchu ruler in the area who's trying to wipe out all resistance to Manchu/Ching rule.
An in-depth documentary on the reclusive Taiwanese artist Huang Hua-Cheng and his avant-garde legacy. Commissioned by the Taipei Fine Arts Museum for the retrospective exhibition: “An Open Ending: Huang Hua-Cheng” (2020).
Liang Pao-erh joins the carefree Spinsters' Club when she discovers her husband is having an affair. Despite the seemingly happy front that her sisters put on, beneath it all, each of them secretly yearns for a man in her life.